- BPM
- 79
- Key
- D♭ Major
- Camelot
- 3B
L'Heure exquise by Reynaldo Hahn, Susan Graham Song Details
"L'Heure exquise" by Reynaldo Hahn, Susan Graham had its release date on January 1, 1991. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. L'Heure exquise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reynaldo Hahn, Susan Graham, Roger Vignoles's "La Belle Époque: The Songs of Reynaldo Hahn" album is number 22 out of 24. On top of that, United States appears to be the country where this track was created. L'Heure exquise is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of L'Heure exquise by Reynaldo Hahn, Susan Graham to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
Music Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 26%
- Loudness
- -33.121 dB
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 2%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | |
 | O Quam Tristis | Andreas Scholl | F♯ Minor | 2 | 11A | 58 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | |
 | Debussy: La Romance d'Ariel, L. 54 | Claude Debussy, Sabine Devieilhe | F Minor | 1 | 4A | 78 BPM | |
 | Hahn: Études latines: No. 2, Néère | Reynaldo Hahn, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 106 BPM | |
 | Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | |
 | Emily — No Prisoner Be: No. 11, A little Snow | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 2 | 10B | 85 BPM | |
 | Suor Angelica: Ave Maria, piena di gratia | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 0 | 7B | 106 BPM | |
 | Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D Major | 2 | 10B | 85 BPM | |
 | Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | |
 | Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | B♭ Minor | 2 | 3A | 130 BPM | |
 | Vaga luna che inargenti | Vincenzo Bellini, Ruth Ann Swenson | A♭ Major | 0 | 4B | 169 BPM | |
| Les Pêcheurs de perles, WD 13: Prelude | Georges Bizet, Alexandre Bloch, Orchestre National de Lille | C Minor | 1 | 5A | 95 BPM | |
 | Offenbach: Les contes d'Hoffman, Act 4: "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) | Jacques Offenbach, Jennifer Larmore, Jesús López-Cobos, Munich Radio Orchestra | D Major | 1 | 10B | 88 BPM | |
 | 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | |
 | Vivaldi: Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 126 BPM | |
 | Lucia di Lammermoor, Act III: O giusto cielo! | Gaetano Donizetti, Anna Netrebko, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado | F Minor | 0 | 4A | 95 BPM | |
 | Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | |
 | Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | |
 | Dido and Aeneas, ACT 3: Scene 2 | Camilla Tilling, Le Concert d'Astrée, Susan Graham, European Voices, Emmanuelle Haïm, Ian Bostridge | F♯ Minor | 1 | 11A | 171 BPM | |
 | Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | |
 | Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | |
 | Les Indes galantes: "Tendre Amour" | Jean-Philippe Rameau, Les Arts Florissants, Les solistes du Jardin des Voix 2013, William Christie | C Major | 3 | 8B | 69 BPM | |
 | Gounod: Roméo et Juliette, Act 1: "Ah! Je veux vivre dans le rêve" (Juliette) | Charles Gounod, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 77 BPM |
- ISRC
- USSM19801395
- Label
- L-M Records/RCA Records