Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman's ' "Dil Pukare Aare Aare With Dialogue" was released on its scheduled release date, October 27, 1967. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in S. D. Burman's "Jewel Thief" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Dil Pukare Aare Aare With Dialogue is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dil Pukare Aare Aare With Dialogue by Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Jeevan Saathi - He Is A Sexy Play Boy | R. D. Burman | D Major | 5 | 10B | 120 BPM | ||
| Behke Behke Yeh Jazbaat | Anuradha Paudwal, Mohammed Aziz | A Major | 6 | 11B | 148 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Tere Naina Talash Karen | Manna Dey, S. D. Burman | A♭ Minor | 6 | 1A | 112 BPM | ||
| Commentry Tabassum And Khwab Ho Tum Ya Koi Haqeeqat | Tabassum, Kishore Kumar, S. D. Burman | G Major | 4 | 9B | 121 BPM | ||
| Insaan Bano | Naushad, Shakeel Badayuni, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Yaad Rahega Pyar Ka | Lata Mangeshkar, Mukesh | A Minor | 6 | 8A | 78 BPM | ||
| Main Jaan Gayu Tujhe Saiyaan (From "Howrah Bridge") | Shamshad Begum, Mohammed Rafi | G Major | 5 | 9B | 164 BPM | ||
| Churi Nahin Yeh Mera Dil Hai - From "Gambler" | Kishore Kumar, Lata Mangeshkar | E♭ Minor | 7 | 2A | 157 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Teri Zulfon Se Judai To | Mohammed Rafi | G Major | 3 | 9B | 119 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Yun Zindagi Ki | Chitra Singh | A♭ Major | 5 | 4B | 104 BPM | ||
| Jab Se Tumhen Dekha Hai | Asha Bhosle, Mohammed Rafi | A♭ Major | 3 | 4B | 134 BPM | ||
| Main Pyar Ka Rahi Hoon | Asha Bhosle, Mohammed Rafi | D♭ Minor | 3 | 12A | 116 BPM | ||
| Mujhe Ishq Hai Tujhi Se - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Major | 5 | 9B | 130 BPM | ||
| Ansoo Bhi Hai Khushiyan Bhi Hai | K. J. Yesudas | F♯ Major | 8 | 2B | 101 BPM | ||
| Dhadak Dhadak Dil | Suraiya, Mohammed Rafi | F♯ Minor | 6 | 11A | 98 BPM | ||
| Tum Ko Mere Dil Ne Pukara | Shailendra Singh, Kanchan, Kalyanji-Anandji | G Major | 4 | 9B | 179 BPM | ||
| Do Sitaron Ka Zameen Par | Lata Mangeshkar, Mohammed Rafi | E♭ Major | 4 | 5B | 159 BPM | ||
| Kehdo Kehdo - From "Sachaa Jhutha" | Kishore Kumar, Lata Mangeshkar | B♭ Minor | 6 | 3A | 93 BPM | ||
| Raat Aai Re Ho Saath Laai Re | Bappi Lahiri, Sulakshana Pandit | D Major | 4 | 10B | 109 BPM | ||
| Khwabon Ko - Prem Geet / Soundtrack Version | Suresh Wadkar | E♭ Major | 3 | 5B | 103 BPM |