"Prologue" by Thomas Farnon had its release date on June 6, 2025. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vignettes by Thomas Farnon. The song's track number on the album is #1 out of 10 tracks. Prologue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prologue by Thomas Farnon has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Prologue being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Philosophia | David Celeste | B♭ Minor | 0 | 3A | 120 BPM | ||
| Wait For Me | Luca D'Alberto | G Minor | 4 | 6A | 88 BPM | ||
| The Place That Has Never Been Wounded | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| A Tide of Forgotten Things | Kyle Preston | F Major | 2 | 7B | 91 BPM | ||
| Rose in a Graveyard | Taylor Ash | A Minor | 1 | 8A | 70 BPM | ||
| Together, Apart | Vanbur | A Minor | 3 | 8A | 91 BPM | ||
| Interlude | ABBOTT, Canea Quartett | G Major | 1 | 9B | 116 BPM | ||
| Broken Dreams | Ben Berkenbosch | A Minor | 1 | 8A | 120 BPM | ||
| Sacred Rhythm | Hannah Parrott | B Minor | 2 | 10A | 122 BPM | ||
| A Stamp Without a Name | Alberto Bressan | A Minor | 1 | 8A | 67 BPM | ||
| Love like an Ocean | Austin Fray, Hannah Delynn | A Major | 2 | 11B | 77 BPM | ||
| On an Evening, At the Lake | Felix Rösch, mondëna quartet | B♭ Major | 1 | 6B | 79 BPM | ||
| On Eloquence | Ed Carlsen | F Minor | 0 | 4A | 145 BPM | ||
| A Long Way From The Past - Collective version | Robin Scherpen Collective, Robin Scherpen | F♯ Minor | 5 | 11A | 132 BPM | ||
| Jóhannsson: A Model of the Universe | Dalal | G Minor | 0 | 6A | 64 BPM | ||
| Sorry | Patrik Andrén | A♭ Major | 3 | 4B | 87 BPM | ||
| Scent - Rework | Matteo de Grandis | C Minor | 2 | 5A | 119 BPM | ||
| The Land of in Between | Hannah Parrott | D Major | 4 | 10B | 167 BPM | ||
| Pulse - Solo Piano | James Malikey | G Minor | 2 | 6A | 111 BPM | ||
| Lost Horizon | Rubric | G Minor | 2 | 6A | 84 BPM | ||
| Consequence | David A. Molina | E Minor | 3 | 9A | 76 BPM | ||
| Château de Lavardin | Hendyamps Studios, Aimee Norris | D Minor | 2 | 7A | 79 BPM | ||
| Wait | Hannah Parrott | C Major | 1 | 8B | 135 BPM | ||
| Beregi | Dmitry Evgrafov | C Major | 2 | 8B | 188 BPM | ||
| Shuffle | ABBOTT | D Minor | 1 | 7A | 118 BPM |