スリー・キャッツ's ' "パパ恋人にあって" was released on its scheduled release date, May 1, 1960. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in スリー・キャッツのセクシイ・ムード 〜桃色の風〜, so we believe that "パパ恋人にあって" is a single. In terms of popularity, パパ恋人にあって is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of パパ恋人にあって by スリー・キャッツ is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夜と朝のあいだに | Peter | A Minor | 2 | 8A | 111 BPM | ||
| 夜明けのうた | 岸洋子 | B Minor | 4 | 10A | 127 BPM | ||
| よさこい節 | 郷土民謡大社中 | B♭ Minor | 9 | 3A | 152 BPM | ||
| 愛の奇跡 | Hide & Rosanna | D Minor | 3 | 7A | 123 BPM | ||
| 港が見える丘 | 平野愛子 | E♭ Major | 2 | 5B | 87 BPM | ||
| 三人家族 | あおい 輝彦 | C Minor | 3 | 5A | 75 BPM | ||
| この世の花 | Chiyoko Shimakura | B Minor | 3 | 10A | 190 BPM | ||
| 哀愁列車 | Michiya Mihashi | F Minor | 2 | 4A | 140 BPM | ||
| 月がとっても青いから | Tsuzuko Sugawara | C Major | 3 | 8B | 115 BPM | ||
| 夜の銀狐 | 斉条史朗 | A Minor | 4 | 8A | 95 BPM | ||
| ハイそれまでョ | Hitoshi Ueki | A Major | 5 | 11B | 77 BPM | ||
| シルエット・ロマンス | Yosui Inoue | G Major | 3 | 9B | 92 BPM | ||
| 好きですサッポロ | サザンクロス | C Minor | 4 | 5A | 96 BPM | ||
| 有難や節 | Hiroshi Moriya | B Minor | 1 | 10A | 86 BPM | ||
| 僕のマリー | ザ・タイガース | E Major | 3 | 12B | 127 BPM | ||
| ひとりぼっちの部屋 | 高木麻早 | E♭ Minor | 4 | 2A | 99 BPM | ||
| 長崎の鐘 | Fujiyama Ichiro | C Major | 4 | 8B | 121 BPM | ||
| おへその曲り角 | スリー・キャッツ | E♭ Major | 4 | 5B | 146 BPM | ||
| 昔の名前で出ています | Akira Kobayashi | F Minor | 1 | 4A | 84 BPM | ||
| 川は流れる | 仲宗根美樹 | A Minor | 3 | 8A | 135 BPM | ||
| 高原のお嬢さん | Kazuo Funaki | D♭ Major | 4 | 3B | 134 BPM | ||
| 長崎慕情 | Yuko Nagisa | B Minor | 4 | 10A | 80 BPM | ||
| アンコ椿は恋の花 | Harumi Miyako | F♯ Major | 3 | 2B | 127 BPM | ||
| 東京ラプソディ | Fujiyama Ichiro | F Major | 4 | 7B | 138 BPM | ||
| いつまでも いつまでも(オリジナル・バージョン) | ザ・サベージ | D Major | 9 | 10B | 160 BPM |