Acis And Galatea - First Version: Would You Gain The Tender Creature by George Frideric Handel, Martyn Hill, English Baroque Soloists, John Eliot Gardiner Song Details

George Frideric Handel, Martyn Hill, English Baroque Soloists, John Eliot Gardiner's ' "Acis And Galatea - First Version: Would You Gain The Tender Creature" was released on its scheduled release date, January 1, 1978. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Anthony Rolfe Johnson, Norma Burrowes, Paul Elliott, Martyn Hill, Willard White, English Baroque Soloists, John Eliot Gardiner's "Handel: Acis and Galatea" album is number 6 out of 29. On top of that, Germany appears to be the country where this track was created. Acis And Galatea - First Version: Would You Gain The Tender Creature is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

We consider the tempo marking of Acis And Galatea - First Version: Would You Gain The Tender Creature by George Frideric Handel, Martyn Hill, English Baroque Soloists, John Eliot Gardiner to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.069 dB
Acousticness: 95%
Danceability: 38%
Energy: 22%
Instrumentalness: 12%
Liveness: 30%
Loudness: 68%
Speechiness: 4%
Valence: 56%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Couperin: Les Baricades mistérieuses	François Couperin, Aurora Orchestra, Nicholas Collon	B♭ Major	0	6B	65 BPM
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante	Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman	B Major	1	1B	78 BPM
Concerto 5 in A Minor, Op. 7: I. Vivace	Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen	D♭ Minor	2	12A	124 BPM
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro	Alison Balsom	D Major	3	10B	102 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce	William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	84 BPM
Céphale et Procris, Act III Scene 3: Passacaille	Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis	C Major	2	8B	78 BPM
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen	Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke	B♭ Minor	1	3A	129 BPM
Requiem in C Minor, MH 559: Kyrie	Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt	C Minor	2	5A	78 BPM
Oboe Concerto in C: 1. Introduzione (Larghetto)	Domenico Cimarosa, Heinz Holliger, I Musici	C Minor	1	5A	172 BPM
3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	84 BPM
Miserere in C Minor Psalm 50, ZWV. 57	Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht	B Minor	2	10A	64 BPM
Serse, HWV 40: Largo "Ombra mai fu"	George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra	G Major	1	9B	82 BPM
Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile	Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl	F♯ Minor	3	11A	178 BPM
Concerto Grosso No. 3 in F Major: IV. Largo	Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek	D Minor	1	7A	168 BPM
Les larmes de Jacqueline, Op. 76, No. 2	Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva	C Major	1	8B	129 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: II. Allegro	George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert	D♭ Minor	1	12A	76 BPM
Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi)	Accademia Bizantina	F♯ Minor	3	11A	120 BPM
Corelli: Concerto Grosso En Sol Mineur, G Minor Op.6 N°8 "Pour La Nuit De Noël" VI. Pastorale: Largo - Remasterisé En 1996	Arcangelo Corelli, Jean-Patrice Brosse, Georges Armand, Orchestre De Chambre De Toulouse	D Minor	4	7A	75 BPM
Water Music Suite No. 1 in F: Adagio e staccato	Berliner Philharmoniker, Riccardo Muti	D Minor	1	7A	77 BPM
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio	Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock	A Major	1	11B	68 BPM
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai	William Boyce, Aradia Ensemble, Kevin Mallon	D♭ Major	2	3B	126 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM