"Impromptu in A-Flat Major" by George Enescu, Raluca Stirbat had its release date on October 2, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 33 in Enescu: Complete Works for Piano Solo by George Enescu, Raluca Stirbat. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Impromptu in A-Flat Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Impromptu in A-Flat Major by George Enescu, Raluca Stirbat is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walton: Cello Concerto: I. Moderato | William Walton, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | A Minor | 3 | 8A | 127 BPM | ||
| Symphony No. 1 in E Major, Op. 26: V. Allegro | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | ||
| Lasst mich allein, Op. 82 No. 1, B. 157/1 (Orch. Leopold) | Antonín Dvořák, Mahler Chamber Orchestra, Daniel Harding | A Major | 2 | 11B | 130 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Intermezzo In A Minor, Op. 116 No. 2 | Johannes Brahms, Kun-Woo Paik | A♭ Major | 1 | 4B | 137 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Prélude & Fugue in C Major: Prélude | George Enescu, Raluca Stirbat | D Minor | 1 | 7A | 130 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| Peer Gynt Suite No. 1, Op. 46 (Version for Piano 4 Hands): III. Anitra's Dance | Edvard Grieg, Lucas Jussen, Arthur Jussen | A Minor | 0 | 8A | 104 BPM | ||
| Schumann: Humoreske, Op. 20: I. Einfach - Sehr rasch und leicht | Robert Schumann, Piotr Anderszewski | B♭ Major | 0 | 6B | 83 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | F Minor | 0 | 4A | 86 BPM | ||
| No. 1, Prélude. Moderato | César Franck, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Vilde Frang, James Gaffigan, Hr-sinfonieorchester | G Major | 1 | 9B | 76 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Etudes symphoniques, Op. 13: Anhang Variation 4 | Robert Schumann, Martin Helmchen | C Major | 0 | 8B | 65 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| Soir et matin, Op. 76: II. Matin | Mel Bonis, Neave Trio | D♭ Major | 0 | 3B | 90 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'esprit de la forêt | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | F Minor | 0 | 4A | 86 BPM |