Franz Schubert, Jerusalem Quartet's 'String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo' had a release date set for April 7, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Schubert: String Quartet No. 14 "Death and the Maiden" Quartettsatz". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo by Franz Schubert, Jerusalem Quartet having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | D Major | 1 | 10B | 138 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
| Holberg Suite, Op. 40: V. Rigaudon. Allegro con brio | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 128 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| String Quartet No. 2, Op. 10: I. Mäßig | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | G Major | 1 | 9B | 80 BPM | ||
| Romanze für Viola und Orchester in F-Dur, Op. 85 | Max Bruch, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| String Quintet in E-Flat Major, Op. 97 'The American': IV. Allegro giusto | Antonín Dvořák, Krzysztof Chorzelski | F♯ Major | 2 | 2B | 92 BPM | ||
| Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat | Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 121 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
| Concerto pour Violoncelle, Cordes et Clavecin en Sol Mineur: III. Allegro non tanto | Georg Matthias Monn, Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
| Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. Spiritoso | Joseph Haydn, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | C Major | 3 | 8B | 133 BPM | ||
| String Quintet in E Major, G. 275: IV. Andante | Luigi Boccherini, Cuarteto Casals, Eckart Runge | E Major | 1 | 12B | 142 BPM | ||
| Violin Sonata, CFF 123: II. Allegro | César Franck, Itzhak Perlman, Vladimir Ashkenazy | G Minor | 2 | 6A | 142 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
| Capriccio for Solo Viola, Op. 55 | Henri Vieuxtemps, Antoine Tamestit | C Minor | 0 | 5A | 126 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
| Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM |