"Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente" by Robert Schumann, Alexander Melnikov, Jerusalem Quartet had its release date on May 15, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Schumann: Piano Quintet; Piano Quartet". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente by Robert Schumann, Alexander Melnikov, Jerusalem Quartet having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
| Cello Sonata in D Minor, Op. 40: III. Largo | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
| Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | G Minor | 1 | 6A | 73 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": II. Poco adagio | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
| Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
| Adagio and Allegro in A Flat Major, Op. 70: I. Langsam, mit innigem Ausdruck | Robert Schumann, Kian Soltani, Aaron Pilsan | A♭ Major | 0 | 4B | 84 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Violin Sonata, CFF 123: II. Allegro | César Franck, Itzhak Perlman, Vladimir Ashkenazy | G Minor | 2 | 6A | 142 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai | Felix Mendelssohn, Artemis Quartet | F Minor | 1 | 4A | 92 BPM | ||
| Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
| Wieniawski: Légende in G Minor, Op. 17 | Henryk Wieniawski, Maxim Vengerov, Itamar Golan | G Minor | 1 | 6A | 81 BPM | ||
| Piano Quintet in E-flat Major, Op. 44: II. In modo d'una Marcia. Un poco largamente - Agitato | Juilliard String Quartet, Leonard Bernstein | F Minor | 1 | 4A | 75 BPM | ||
| Aus tiefer Not schrei ich zu dir, BWV 687 (Arr. Kurtág for Piano 4 Hands) | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Piano Concerto in A Minor, Op. 7: 2. Romance: Andante non troppo con grazia | Clara Schumann, Isata Kanneh-Mason, Jonathan Aasgaard, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A♭ Major | 0 | 4B | 74 BPM | ||
| String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
| String Quartet No. 4, Op. 25, "Suite": III. Adagietto (Adagio) | Alexander von Zemlinsky, Escher String Quartet | F♯ Major | 0 | 2B | 66 BPM | ||
| Beethoven: Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto | Ludwig van Beethoven, Jacqueline du Pré, Daniel Barenboim | A Major | 1 | 11B | 69 BPM |