Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai by Felix Mendelssohn, Artemis Quartet Song Details

"Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai" by Felix Mendelssohn, Artemis Quartet had its release date on April 7, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Artemis Quartet's "Mendelssohn: String Quartets, Nos. 2, 3 & 6" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai by Felix Mendelssohn, Artemis Quartet to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -18.509 dB
Acousticness: 94%
Danceability: 32%
Energy: 15%
Instrumentalness: 83%
Liveness: 12%
Loudness: 69%
Speechiness: 5%
Valence: 18%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale - Allegro energico - Redbook Stereo	Max Bruch, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London	G Major	3	9B	105 BPM
Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro	Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt	F Minor	1	4A	128 BPM
Symphonie fantastique, Op. 14: II. Un bal	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	A Major	1	11B	107 BPM
Violin Sonata No. 1 in F Major, Op. 8: III. Allegro molto vivace	Edvard Grieg, Frederic Chiu, Pierre Amoyal	D♭ Major	3	3B	110 BPM
Octet in E Flat Major, Op. 20, MWV R20: II. Andante	Felix Mendelssohn, Emerson String Quartet	F Major	2	7B	116 BPM
Papillon, Op. 77	Gabriel Fauré, Yo-Yo Ma, Kathryn Stott	A Major	1	11B	143 BPM
Piano Quartet in E flat, Op.47: 4. Finale (Vivace)	Robert Schumann, Beaux Arts Trio, Samuel Rhodes	G Major	1	9B	104 BPM
String Quartet No.2 in D Major	Alexander Borodin, Borodin Quartet	F Major	2	7B	127 BPM
Piano Trio in G Minor, Op. 15, JB 1:64: I. Moderato assai	Bedřich Smetana, Smetana Trio	G Major	1	9B	174 BPM
Concerto for Viola & Orchestra: II. Vivo con molto preciso	William Walton, Yuri Bashmet, London Symphony Orchestra, André Previn	A Minor	2	8A	136 BPM
Symphonie espagnole, Op. 21: II. Scherzando. Allegro molto	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	G Major	1	9B	105 BPM
Holberg Suite, Op. 40: IV. Air (Version for Strings)	Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti	G Minor	0	6A	84 BPM
Piano Trio No. 1 in D minor, Op. 49: Molto allegro agitato	Felix Mendelssohn, Leonidas Kavakos	D Minor	2	7A	148 BPM
Fauré: String Quartet in E Minor, Op. 121: III. Allegro	Gabriel Fauré, Quatuor Ébène	G Major	1	9B	83 BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise	Nadia Boulanger, Nicolas Altstaedt, José Gallardo	F Major	0	7B	83 BPM
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo & Trio	Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris	D Major	2	10B	86 BPM
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo)	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	D Major	0	10B	83 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb/1: I. Moderato	Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra	C Major	1	8B	131 BPM
Barcarolle in F Major, Op. 108	Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz	D Major	2	10B	147 BPM
Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato	Edvard Grieg, Frederic Chiu, Pierre Amoyal	C Major	0	8B	102 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto	Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	D Major	3	10B	108 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo (Vivace)	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	F Major	2	7B	128 BPM
Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto	Anton Arensky, Beaux Arts Trio	F Major	2	7B	86 BPM