Rudolf Schock's ' "Als flotter Geist" was released on its scheduled release date, April 29, 2015. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Als flotter Geist's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Ach, So Fromm by Rudolf Schock. The popularity of Als flotter Geist is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Als flotter Geist by Rudolf Schock is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM | ||
| The Grand Ballroom | Blush Notes | D Major | 3 | 10B | 90 BPM | ||
| Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Malapou-Galopp, Op. 148, No. 1 | Joseph Lanner, Swedish Chamber Orchestra, Thomas Dausgaard | E Minor | 4 | 9A | 165 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
| Die Csardasfürstin: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Pütz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Carmen · Oper in 4 Akten (deutsch gesungen), Erster Akt: Nr.6 Carmen, sieh wir alle folgen dir (Chor) | Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker | D Minor | 2 | 7A | 123 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Mozart: Sehnsucht nach dem Frühling, K. 596 | Wolfgang Amadeus Mozart, Rudolf Schock | F♯ Major | 1 | 2B | 94 BPM | ||
| Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Ariadne auf Naxos, Herr" (Composer, Dancing Master, Major-Domo, Music Master, Tenor, Primadonna, Zerbinetta) | Richard Strauss, Herbert von Karajan, Alfred Neugebauer, Elisabeth Schwarzkopf, Hugues Cuénod, Irmgard Seefried, Karl Dönch, Rita Streich, Rudolf Schock, Philharmonia Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Lass uns träumen vom Lago Maggiore | Rudi Schuricke | D Major | 3 | 10B | 117 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo) | Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rudolf Schock, Philharmonia Orchestra | G Minor | 3 | 6A | 76 BPM | ||
| Toselli-Serenade | C. F. Orchester Richards | E Major | 3 | 12B | 82 BPM | ||
| Alles klar, alles klar | Judith & Mel | E Major | 6 | 12B | 112 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM |