Giuliani, Peter Pupping's ' "Variations On A Theme Of Handel - Minore Sostenuto" was released on its scheduled release date, June 2, 2003. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Pupping's "Guitarra De Paz" album is number 25 out of 26. On top of that, United States appears to be the country where this track was created. Based on our statistics, Variations On A Theme Of Handel - Minore Sostenuto's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Variations On A Theme Of Handel - Minore Sostenuto by Giuliani, Peter Pupping to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Cumpita | Horacio Castillo | A Major | 2 | 11B | 114 BPM | ||
| Colibri | Armando Neves, Marcus Llerena | G Major | 2 | 9B | 107 BPM | ||
| La jota aragonese | Maria Dolores de Goñi, Heike Matthiesen | G Major | 0 | 9B | 70 BPM | ||
| Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
| Outonecendo | Alexandre Guerra, Daniel Murray | A Minor | 1 | 8A | 72 BPM | ||
| Il cortile dove cadeva la sera | Dolce Vita | A Minor | 1 | 8A | 105 BPM | ||
| Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
| Variations On A Theme Of Handel - Minore Sostenuto | Giuliani, Peter Pupping | A Minor | 3 | 8A | 146 BPM | ||
| El Felipe | Pepe Ferrer, Victor Villadangos | A♭ Minor | 1 | 1A | 172 BPM | ||
| Ayer es Siempre | Juan Falú | A Minor | 0 | 8A | 99 BPM | ||
| Sor: 24 Exercices très faciles, Op. 35: No. 17 in D Major, Moderato | Fernando Sor, Oscar Caceres | G Major | 1 | 9B | 130 BPM | ||
| Late Night | Giuliani | B♭ Minor | 6 | 3A | 118 BPM | ||
| 3 Piezas: De la rais a la copa | Juan Falú, Victor Villadangos | D Major | 1 | 10B | 88 BPM | ||
| Guitar Suite No. 1: I. Mesolithic Dance | Peter Scott Lewis | A Major | 1 | 11B | 90 BPM | ||
| La Cara de Pedro | Lucio Yanel | A Minor | 1 | 8A | 117 BPM | ||
| Prelude & Dance: Prelude | Jorge Morel, Celil Refik Kaya | E Minor | 0 | 9A | 94 BPM | ||
| Sonata, Op. 61: III. Allegro vivo | Joaquín Turina, Elena Ortega | G Major | 2 | 9B | 97 BPM | ||
| La Esquina | Julian Vigil, Pablo Donaldo | G Major | 0 | 9B | 79 BPM | ||
| Tango en Skaï | Roland Dyens, Jorge Orozco | A Minor | 2 | 8A | 136 BPM | ||
| Castillos de España II: No. 12, Alcazar de Segovia | Federico Moreno Torroba, Ana Vidović | E Minor | 0 | 9A | 120 BPM | ||
| Anido: Aire Norteño | María Luisa Anido | C Major | 2 | 8B | 116 BPM | ||
| Lemon - Extended Mix | Giuliani, Ohconer, Sebastian Saez | B♭ Minor | 5 | 3A | 127 BPM | ||
| 12の練習曲 / 第1番 ホ短調 | Heitor Villa-Lobos, Kazuhito Yamashita | A Minor | 4 | 8A | 132 BPM | ||
| Tarantas - Remastered | Gonzalo Ortega | D♭ Minor | 2 | 12A | 126 BPM | ||
| Guitar Suite No. 3: II. Morning Improv. | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM |