Michel Pignolet de Montéclair, Le Parlement De Musique, Ann Monoyios, Martin Gester's ' "Pan et Syrinx: III. Modéré" was released on its scheduled release date, January 1, 1991. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ann Monoyios, Randall Cook, Martin Gester, Le Parlement De Musique's "Monteclair: Le hautbois français du XVIIIème siècle" album is number 8 out of 27. On top of that, France appears to be the country where this track was created. Pan et Syrinx: III. Modéré is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pan et Syrinx: III. Modéré by Michel Pignolet de Montéclair, Le Parlement De Musique, Ann Monoyios, Martin Gester to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Couperin, L: Suite en fa: I. Simphonie par Mr. Couperin (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Suite in E Minor: VII. Gigue | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Concerto grosso in F Major Op. 6, No. 6: I. Adagio | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| A la fin cette bergère | Antoine Boësset, Paul Figuier, Les Bacchantes, Ronan Khalil | B Major | 1 | 1B | 74 BPM | ||
| Concerto grosso No. 1 in A Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 0 | 3B | 79 BPM | ||
| La mort de Didon: "O Toi, Déesse de Cithère, tendre Vénus" | Michel Pignolet de Montéclair, Ensemble Battistin, Fiona Campbell | D♭ Major | 0 | 3B | 80 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: II. Allegro (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Jephté, Act III Scene 5: Chaconne | Michel Pignolet de Montéclair, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 2 | 1B | 96 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Couperin, F: Les goûts-réunis: Concert "Dans le goût théatral": IV. Air tendre (Orch. Holman) | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 171 BPM | ||
| Violin Concerto in E Minor, S. C788, Op. 1 No. 2: I. Adagio staccato | Benedetto Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
| Lachrimae or Seven Tears: VI. Lachrimae amantis | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Suite In G Minor (Suite En Sol Mineur): Prélude | Marin Marais | F♯ Minor | 1 | 11A | 88 BPM | ||
| Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
| Sonata a 4 in D Major, WoO 4: III. Grave | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | B♭ Minor | 0 | 3A | 76 BPM |