"This Is Peter" by Roger Neill had its release date on September 22, 2023. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Sam Now (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Based on our statistics, This Is Peter's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With This Is Peter by Roger Neill having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As if It Would Have a Universal and Memorable Ending | Shane Carruth | G Major | 3 | 9B | 123 BPM | ||
| End Title (Little Children) | Thomas Newman | C Major | 3 | 8B | 103 BPM | ||
| Glassworks: II. Floe | Signal, Michael Riesman | A Minor | 6 | 8A | 96 BPM | ||
| Drive to God's Promise | Julian Wass | F Minor | 8 | 4A | 150 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Snow Canon | Group Listening | F Major | 3 | 7B | 132 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Rock Fight (Demo) | Emile Mosseri | D♭ Major | 1 | 3B | 114 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Water, Voices & Snow | Chassol | D♭ Major | 2 | 3B | 136 BPM | ||
| Aspect | Fort Nowhere | D♭ Major | 4 | 3B | 80 BPM | ||
| In the World of My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Telephone And Rubber Band - Remastered 2008 | Penguin Cafe Orchestra | C Major | 2 | 8B | 159 BPM | ||
| Come Out Wherever You Are | Roger Neill | C Major | 0 | 8B | 140 BPM | ||
| Open Me Carefully | Drum & Lace, Ian Hultquist | F♯ Minor | 2 | 11A | 180 BPM | ||
| Sun Will Set | Zoë Keating, Zoe Clare Keating | G Major | 1 | 9B | 118 BPM | ||
| Bergoglio's Awakening | Bryce Dessner | E♭ Major | 1 | 5B | 135 BPM | ||
| Writing Teams Are Two People | Roger Neill | E♭ Major | 1 | 5B | 118 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| We Used to Dance | James Murphy | D Minor | 4 | 7A | 150 BPM | ||
| Happy Sad Empty Full | Bryce Dessner, Aaron Dessner | F Major | 2 | 7B | 71 BPM | ||
| Suite Bergamasque: Clair de Lune, No. 3 | Isao Tomita | D♭ Major | 1 | 3B | 76 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| bowling with margo | David Torn | A Major | 3 | 11B | 104 BPM |