Rekha Rathod's ' "Bhalawala Mari Bhere Rejo" was released on its scheduled release date, April 8, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Ramdevpir No Helo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Bhalawala Mari Bhere Rejo is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bhalawala Mari Bhere Rejo by Rekha Rathod having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bholi Re Bharvadan Hari Ne | Rekha Rathod | F♯ Major | 6 | 2B | 103 BPM | ||
| Hanuman Aarti | Satish Dehra | G Major | 7 | 9B | 139 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Bhiksha Dene Maiya Pingala | Rekha Rathod, Raghuram Dudhrejiya | F Major | 6 | 7B | 80 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Kisi Najar Ko Tera | Dimple Bhumi | A Major | 5 | 11B | 93 BPM | ||
| Bai Nanand Ra Veer | Shyam Paliwal | C Major | 8 | 8B | 85 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Aavi Nortani Ratu - Original | Ramnik Charoliya, Rekha Rathod, NA | E♭ Minor | 6 | 2A | 126 BPM | ||
| Mhara Baal Govind Ji (I) | Babu Rajoriya, Prakash Chauhan, Pawan Chauhan, Pawan Bhatia, Rekha Rathod, Sanketika Chaukase, Kavita Srivastav | D♭ Major | 8 | 3B | 100 BPM | ||
| Sadguru Tame Mara Taranhar | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | A♭ Major | 6 | 4B | 128 BPM | ||
| Jab Hi Kiya Bhai Sadguru Ki | Niranjan Pandya | F Minor | 8 | 4A | 129 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Baire Paire | Mamta Chandarkar | A♭ Major | 9 | 4B | 142 BPM | ||
| Lok Jee Marhan Mariyo | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Sabad Ri Lagi Ve So Jaane | Anita Jangid | F Minor | 9 | 4A | 170 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| Khodal Kare Chhe Khamkar | Shantilal Vataliya, Rekha Rathod | F♯ Major | 4 | 2B | 136 BPM | ||
| Sharhad Tujhe Pranam | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Butbhavani Maa Ramva Vela Aavo | Kishor Goswami, Rekha Rathod | C Minor | 6 | 5A | 112 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM |