"What is pink?: The house on the hill" by Ned Rorem, The American Boychoir had its release date on September 7, 2009. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. What is pink?: The house on the hill's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 30 in Fast Cats and Mysterious Cows by The American Boychoir, Patricia Petibon, Catherine King. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, What is pink?: The house on the hill's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What is pink?: The house on the hill by Ned Rorem, The American Boychoir is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love | Ned Rorem, Thomas Lodge, Aaron Parks, Almaz Yebio | F Major | 1 | 7B | 134 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | C Major | 0 | 8B | 77 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 0 | 8B | 77 BPM | ||
| The Lord Is My Shepherd (2) | Alexander Uriah Boskovich, Constance Heller, Gerold Huber | F Major | 1 | 7B | 94 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Our Town, Act III: "Were You Happy, Emily?" | Ned Rorem, Krista River, Margot Rood, Stanley Wilson, Glorivy Arroyo, Gil Rose | B♭ Major | 1 | 6B | 173 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | C Major | 0 | 8B | 77 BPM | ||
| Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | C Major | 0 | 8B | 77 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | C Major | 0 | 8B | 77 BPM | ||
| Bolcom: Cabaret Songs, Volume I: No. 4, Waitin | William Bolcom, Kate Royal | F Major | 0 | 7B | 86 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM |