Ruth Rubin's ' "Molad'ti" was released on its scheduled release date, January 1, 1959. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruth Rubin's "Jewish Folk Songs" album is number 9 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Molad'ti is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Molad'ti by Ruth Rubin to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Patriot Game | Dominic Behan, John Hasted | F♯ Major | 1 | 2B | 91 BPM | ||
| Holiness | Swavy Dee | E Major | 0 | 12B | 55 BPM | ||
| Hè Mandu | Navan | B♭ Major | 2 | 6B | 114 BPM | ||
| We Are Coming, Father Abraham | 97th Regimental String Band | A Major | 2 | 11B | 99 BPM | ||
| Soldiers Moving Forward | paylindahbruk | B Minor | 3 | 10A | 69 BPM | ||
| Dafydd Y Garreg Wen | Cerys Matthews | B♭ Minor | 2 | 3A | 98 BPM | ||
| The Broom of Cowdenknowes | The Watersons | D♭ Major | 0 | 3B | 76 BPM | ||
| Parting Glass | E.L. Kurtz | F Major | 0 | 7B | 165 BPM | ||
| Cân Merthyr | Cerys Matthews | D Major | 3 | 10B | 135 BPM | ||
| The Bull John Run | Sam Lee | D Major | 4 | 10B | 171 BPM | ||
| The Battle Of Harlaw | The Corries & Ronnie Browne | G Minor | 5 | 6A | 119 BPM | ||
| An Raicín Álainn | Lasairfhíona | B Minor | 2 | 10A | 137 BPM | ||
| Yes I shall arise | Chidoski | F Major | 4 | 7B | 116 BPM | ||
| Hard Times | Anna McGarrigle, Kate McGarrigle | C Major | 2 | 8B | 102 BPM | ||
| Ndimozi | Guilt# | D Major | 4 | 10B | 154 BPM | ||
| The Digger's Song | Leon Rosselson, Roy Bailey | A Major | 2 | 11B | 77 BPM | ||
| Farewell, But Whenever | Mary O'Hara | D Major | 1 | 10B | 114 BPM | ||
| Shir Ha-Avoda | Ruth Rubin | D Minor | 2 | 7A | 177 BPM | ||
| Oak, Ash and Thorn | John Roberts, Tony Barrand | A Minor | 1 | 8A | 99 BPM | ||
| Yodeling | Pete Seeger & Arlo Guthrie | D Major | 5 | 10B | 60 BPM | ||
| Some Old Salty | Lal Waterson, Oliver Knight | B♭ Minor | 4 | 3A | 71 BPM | ||
| Blackleg Mining Man | Bob Fox, Benny Graham | C Major | 1 | 8B | 75 BPM | ||
| White | Word Of Mouth Chorus | D♭ Major | 0 | 3B | 105 BPM | ||
| Windmills | Alan Bell | A Major | 3 | 11B | 121 BPM | ||
| Dust to Dust | Qraniom | G Major | 0 | 9B | 101 BPM |