Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Camerata Nordica, Terje Tonnesen Song Details

"Simple Symphony, Op. 4: II. Playful Pizzicato" by Benjamin Britten, Camerata Nordica, Terje Tonnesen had its release date on November 19, 2013. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 19 in Britten: Frank Bridge Variations - Lachrymae - Elegy for Strings - Simple Symphony - Two Portraits by Benjamin Britten, Camerata Nordica, Terje Tonnesen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Simple Symphony, Op. 4: II. Playful Pizzicato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Camerata Nordica, Terje Tonnesen is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.487 dB
Acousticness: 90%
Danceability: 24%
Energy: 17%
Instrumentalness: 67%
Liveness: 11%
Loudness: 71%
Speechiness: 4%
Valence: 6%

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