"The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious" by Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins had its release date on January 30, 2026. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in Elgar: The Dream of Gerontius by Edward Elgar, David Butt Philip, Karen Cargill, Roland Wood, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious by Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D Major | 1 | 10B | 98 BPM | ||
| Vesperae Solennes de Confessore: Laudate Dominum - Live | Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 112 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D Major | 1 | 10B | 98 BPM | ||
| Israel In Egypt, HWV 54: He Gave Them Hailstones For Rain (Chorus) | George Frideric Handel, The Sixteen, Harry Christophers | C Major | 2 | 8B | 173 BPM | ||
| Beethoven: Missa solemnis in D Major, Op. 123: VIII. Sanctus | Ludwig van Beethoven, Herbert von Karajan, Agnes Baltsa, Gundula Janowitz, José van Dam, Peter Schreier, Berliner Philharmoniker | D Major | 1 | 10B | 98 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 611: IX. Suscepit Israel (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | G Minor | 0 | 6A | 112 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
| Symphony of Saints: IV. Saint Cuthbert - the Pious | Martin Romberg, Joanne Lunn, Orchestra of the Swan, Andrew Griffiths | D Major | 1 | 10B | 98 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| Dixit Dominus, HWV 232: No. 8, Gloria Patri | George Frideric Handel, Ensemble SYD, Camerata Nordica, Daniel Hansson | G Minor | 2 | 6A | 131 BPM | ||
| Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | E♭ Major | 0 | 5B | 81 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Mass in B Minor, BWV 232: Et incarnatus est | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
| Mass in D Major, Op. 86 / Credo: III. Et resurrexit | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D Major | 1 | 10B | 98 BPM | ||
| Vesperae solenne de confessore, K. 339: Confitheor | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | B♭ Major | 2 | 6B | 83 BPM | ||
| Joonas: Prologue. Teie, õelad (Chorus) | Rudolf Tobias, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | ||
| Stabat Mater: 10. Amen | Gioachino Rossini, London Symphony Chorus, London Symphony Orchestra, István Kertész | G Major | 4 | 9B | 69 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
| Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi | A Major | 1 | 11B | 83 BPM | ||
| Messe F-Moll, WAB 28: IV. Sanctus | Anton Bruckner, Joseph Moor, Hans-Jörg Mammel, Philippe Herreweghe, Ingela Bohlin, RIAS Kammerchor, Alfred Reiter, Ingeborg Danz | F Major | 1 | 7B | 111 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM |