Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's 'Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe' had a release date set for October 3, 2025. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Haydn, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin's "Michael Haydn: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi" album is number 3 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe by Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Minor | 0 | 1A | 73 BPM | ||
| Missa Votiva in E Minor, ZWV 18: V. Gloria in Excelsis Deo | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Markéta Curková, Tomáš Kořínek, Lisandro Abadie | B Minor | 1 | 10A | 170 BPM | ||
| Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Emily — No Prisoner Be: No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming") | Kevin Puts, Time For Three, Joyce DiDonato | B Minor | 0 | 10A | 103 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | B Minor | 0 | 10A | 103 BPM | ||
| Die mit Tränen säen, JLB 8: I. Die mit Tränen säen | Johann Ludwig Bach, Capella Sollertia, Johanna Soller | B Minor | 0 | 10A | 103 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
| Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIIb. Chorus. Glorie, Lob, Ehr und Herrlichkeit | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances, Sebastian Myrus | E Minor | 2 | 9A | 178 BPM | ||
| Geistliche Chormusik, Op. 11: No. 18. Die Himmel erzahlen die Ehre Gottes, SWV 386 | Heinrich Schütz, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 2 | 1A | 65 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Missa pro Quadragesima, MH 551: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| Suscepit Israel puerum suum, BWV 1082 | Johann Sebastian Bach, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Minor | 2 | 9A | 70 BPM | ||
| Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
| Dixit and Magnificat, K. 193: II. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 109 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: IV. Quis non posset contristari | Joseph Haydn, Patricia Rozario, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 98 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Peter Kooij, Midori Suzuki, Bach Collegium Japan, Masaaki Suzuki | D♭ Minor | 2 | 12A | 123 BPM | ||
| Statio quadruplex pro Processione Theophorica, ZWV 158: Exaudi, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | F♯ Minor | 2 | 11A | 78 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: VII. Eja mater, fons amoris | Joseph Haydn, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 1 | 7A | 94 BPM |