- BPM
- 112
- Key
- D Minor
- Camelot
- 7A
Vesperae Solennes de Confessore: Laudate Dominum - Live by Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields Song Details
"Vesperae Solennes de Confessore: Laudate Dominum - Live" by Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields had its release date on January 1, 2007. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in Fauré Requiem by The Sixteen, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Vesperae Solennes de Confessore: Laudate Dominum - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Vesperae Solennes de Confessore: Laudate Dominum - Live by Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -23.362 dB
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 8%
- Instrumentalness
- 12%
- Liveness
- 14%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | |
 | Mass in C, K.317 "Coronation": 1. Kyrie | Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 1 | 8B | 64 BPM | |
 | Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Idomeneo, Rè di Creta K366: Aria: Zeffiretti lusinghieri | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée, L Langree | B Major | 0 | 1B | 69 BPM | |
 | Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Tuba mirum | Wolfgang Amadeus Mozart, Freiburger Barockorchester, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs, Johannes Weisser | B♭ Major | 1 | 6B | 87 BPM | |
 | Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Agnus Dei qui tollis | Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 89 BPM | |
 | Requiem: Pie Jesu - Live | Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 112 BPM | |
 | Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields | Howard Goodall, Stephen Darlington, London Musici | D Minor | 2 | 7A | 171 BPM | |
 | Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | |
 | Messe F-Moll, WAB 28: IV. Sanctus | Anton Bruckner, Joseph Moor, Hans-Jörg Mammel, Philippe Herreweghe, Ingela Bohlin, RIAS Kammerchor, Alfred Reiter, Ingeborg Danz | F Major | 1 | 7B | 111 BPM | |
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | |
 | Requiem, Op.48: 6. Libera me (Bariton, Chorus) | Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Minor | 1 | 2A | 127 BPM | |
 | Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | |
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 126 BPM | |
 | Mass No.2 in G Major, D.167: II. Gloria | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | |
 | A Hymn to The Virgin | Benjamin Britten, The Sixteen, Harry Christophers | A Minor | 0 | 8A | 82 BPM | |
 | Stabat Mater: Stabat Mater: VI. Vidit suum dulcem natum | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss, Carolyn Sampson | B Minor | 1 | 10A | 87 BPM | |
 | Mass in C Minor, K. 427: Mass in C Minor, K. 427: I. Kyrie eleison | Wolfgang Amadeus Mozart, Chœurs du Collegium Vocale et de La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe, Christiane Oelze, La Chapelle Royale | C Minor | 1 | 5A | 100 BPM | |
 | Così fan tutte, K.588, Act I: Soave sia il vento | Wolfgang Amadeus Mozart, Bass: David Brennan, Carlo Rizzi, Opera Australia Orchestra, Amanda Thane, Fiona Janes | E Major | 2 | 12B | 64 BPM | |
 | Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 1. Kyrie | Joseph Haydn, Choir of St. John's College, Cambridge, John Scott, Academy of St. Martin in the Fields, George Guest | B♭ Major | 1 | 6B | 67 BPM | |
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Et resurrexit | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Minor | 2 | 12A | 115 BPM | |
 | Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | |
 | Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, The Philip Jones Brass Ensemble | A♭ Major | 3 | 4B | 124 BPM | |
 | Mass in C minor, K.427 "Grosse Messe": 2. Gloria: Gloria in excelsis Deo | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields | C Major | 2 | 8B | 117 BPM | |
 | Dixit and Magnificat, K. 193: II. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 109 BPM |
- ISRC
- GBEJP0805706
- Label
- L-M Records/RCA Records