"Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo" by Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir had its release date on January 1, 1987. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Joseph Haydn, The English Concert, Trevor Pinnock, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, The English Concert Choir, Nicholas Parle's "Haydn: Missa in angustiis "Nelson Mass"; Te Deum" album is number 2 out of 14. Based on our statistics, Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo by Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | D♭ Minor | 4 | 12A | 89 BPM | ||
| Paulus: I. Teil: Nr. 7 Rezitativ & Chor T "Sie aber stürmten auf ihn ein" - "Steiniget ihn!" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, James Taylor, La Chapelle Royale | C Minor | 2 | 5A | 121 BPM | ||
| Concerto a due cori No. 3, HWV 334: 5. Allegro | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | E Major | 3 | 12B | 173 BPM | ||
| Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| Mass in D Major, Op. 86, B. 175: V. Benedictus. Lento | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | B♭ Major | 1 | 6B | 84 BPM | ||
| Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
| Orphée et Eurydice, Act 4: J'ai perdu mon Eurydice - Arr. for French Horn | Christoph Willibald Gluck, Felix Klieser, CHAARTS Chamber Artists | A♭ Major | 1 | 4B | 139 BPM | ||
| Hedges Family | Baksman | C Major | 4 | 8B | 80 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
| Samson, HWV 57: No. 1, Symphony: b. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
| Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Agnus Dei | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 3: No. 30, Duet. Von deiner Güt', o Herr und Gott – Chorus. Gesegnet sei des Herren Macht | Joseph Haydn, Gundula Janowitz, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 2 | 8B | 99 BPM | ||
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 126 BPM | ||
| Messe F-Moll, WAB 28: IV. Sanctus | Anton Bruckner, Joseph Moor, Hans-Jörg Mammel, Philippe Herreweghe, Ingela Bohlin, RIAS Kammerchor, Alfred Reiter, Ingeborg Danz | F Major | 1 | 7B | 111 BPM | ||
| Salve Regina in F minor: Et Jesum | Giovanni Battista Pergolesi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | G Major | 0 | 9B | 131 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Vesperae solennes de Dominica, K. 321: VI. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 92 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | D Major | 4 | 10B | 119 BPM | ||
| Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
| Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Symphony No. 14 in D Major: I. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 137 BPM | ||
| Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Requiem in D minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 2 | 5A | 95 BPM |