On February 20, 2012, the song "Goldberg Variations Bwv 988, Variatio 8" was released by Calefax Reed Quintet. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Calefax Reed Quintet's "Goldberg Variations" album is number 9 out of 32. In terms of popularity, Goldberg Variations Bwv 988, Variatio 8 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldberg Variations Bwv 988, Variatio 8 by Calefax Reed Quintet to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 32 Etudes: F major - Allegro | Sean Osborn | E♭ Major | 1 | 5B | 115 BPM | ||
| Rhapsody in Blue: IV. | George Gershwin, Calefax Reed Quintet | D Major | 1 | 10B | 137 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Telemann: Oboe Concerto in F Minor, TWV 51:f1: II. Largo e piano (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Georg Philipp Telemann, Alison Balsom, Pinnock’s Players, Trevor Pinnock | F Major | 1 | 7B | 80 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) | Vincenzo Bellini, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | G Major | 0 | 9B | 90 BPM | ||
| Sentimental Melody (Blues) | Aaron Copland, Cora Burggraaf, Calefax Reed Quintet | A Minor | 0 | 8A | 65 BPM | ||
| 6 Sonatas, ZWV 81, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin | G Minor | 2 | 6A | 116 BPM | ||
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | ||
| Minuet & Trio in G Major, WAB 220 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| Suite in the Old Style: I. Pastorale - Arr. for Flugelhorn and Piano by Sergei Nakariakov and Maria Meerovitch | Alfred Schnittke, Sergei Nakariakov, Maria Meerovitch | C Major | 0 | 8B | 84 BPM | ||
| Passacaglia and Fugue | Calefax Reed Quintet | C Minor | 1 | 5A | 171 BPM | ||
| 24 Preludes and Fugues in C Major, Op. 87 No. 1: Prelude (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | C Major | 0 | 8B | 89 BPM | ||
| Suite la triomphante: Courante | Jean-Philippe Rameau, Calefax Reed Quintet | C Minor | 1 | 5A | 148 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
| Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | F Major | 0 | 7B | 102 BPM | ||
| Overjoyed | Stevie Wonder, Calefax Reed Quintet | C Minor | 1 | 5A | 69 BPM | ||
| Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Scaramouche, Op. 165d: II. Modéré | Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
| To Be Unknown | Sounds of Servus, Federspiel | D♭ Major | 1 | 3B | 125 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| An American in Paris: III. Allegro | George Gershwin, Cora Burggraaf, Calefax Reed Quintet | C Major | 2 | 8B | 85 BPM |