- BPM
- 171
- Key
- C Minor
- Camelot
- 5A
Passacaglia and Fugue by Calefax Reed Quintet Song Details
"Passacaglia and Fugue" by Calefax Reed Quintet had its release date on March 8, 2011. This song appears to be safe for all ages as it is not explicit. The song is number 3 out of 7 in CalefaXL, Music for 12 Reed Instruments by Calefax Reed Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Passacaglia and Fugue is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Passacaglia and Fugue by Calefax Reed Quintet is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Music Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -23.639 dB
- Acousticness
- 98%
- Danceability
- 18%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In a Sentimental Mood | Duke Ellington, Calefax Reed Quintet | D Major | 1 | 10B | 137 BPM | |
 | 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation 4 | Johann Baptist Vanhal, Claudio Ferrarini | E Minor | 2 | 9A | 79 BPM | |
 | Pastorale | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | F♯ Major | 1 | 2B | 95 BPM | |
 | Sextet in E-Flat Major, Op. 81b: II. Adagio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | A♭ Major | 0 | 4B | 99 BPM | |
 | Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | |
 | Dreigroschensuite: II. Moritat von Mackie Messer | Kurt Weill, Calefax Reed Quintet, Cora Burggraaf | A Minor | 0 | 8A | 83 BPM | |
 | Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | |
 | 6 Keyboard Concertos, Op. 3: No. 6 in E-Flat Major: III. Rondo. Allegro (Performed on Harp) | Johann Samuel Schroeter, Silke Aichhorn, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | E♭ Major | 2 | 5B | 90 BPM | |
 | Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | |
 | Debussy Cakewalking | Belize Ensemble | C Minor | 1 | 5A | 83 BPM | |
 | Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | |
| Excursions Op. 20: IV. Exuberant and joyous barn dance | Samuel Barber, Calefax Reed Quintet | F Major | 2 | 7B | 136 BPM | |
 | 3 Waltzes, D. 370: Waltz No. 7: Vivace | Domenico Dragonetti, Ubaldo Fioravanti | B Minor | 0 | 10A | 78 BPM | |
 | 3 Hungarian Folksongs from the Csìk, Sz. 35a (Arr. Horsch & Luca for Recorder and Cimbalom) | Lucie Horsch, Dani Luca, Béla Bartók | A Minor | 4 | 8A | 121 BPM | |
 | Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | |
 | Children's Corner: Jimbo's lullaby | Claude Debussy, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | |
 | Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 85 BPM | |
 | Senex puerum portabat à 4 (arr. Reed Quintet by Alban Wesley) | William Byrd, Calefax Reed Quintet | F Major | 0 | 7B | 127 BPM | |
 | 3 Chorale Preludes, Op. 122 (Arr. for Reed Quintet by Raaf Hekkema): No. 11, O Welt, ich muß dich lassen | Johannes Brahms, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | |
 | Suite les Boréades: Entrée de polymnie | Jean-Philippe Rameau, Calefax Reed Quintet | C Minor | 1 | 5A | 148 BPM | |
 | Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | |
 | Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | |
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | E Minor | 2 | 9A | 79 BPM | |
| Missa à 5: V. Benedictus (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | |
 | Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM |
- ISRC
- NLQJ81100003
- Label
- L-M Records/RCA Records