"Dreigroschensuite: II. Moritat von Mackie Messer" by Kurt Weill, Calefax Reed Quintet, Cora Burggraaf had its release date on September 15, 2014. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Dreigroschensuite: II. Moritat von Mackie Messer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Roaring Twenties". In this album, this song's track order is #8. Dreigroschensuite: II. Moritat von Mackie Messer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dreigroschensuite: II. Moritat von Mackie Messer by Kurt Weill, Calefax Reed Quintet, Cora Burggraaf having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite Messe solennelle, Kyrie: II. Christe | Gioachino Rossini, RIAS Kammerchor, Marcus Creed | F Minor | 0 | 4A | 149 BPM | ||
| Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
| Die Dreigroschenoper: Zweites Dreigroschenfinale | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe, Nina Hagen | G Minor | 2 | 6A | 76 BPM | ||
| Down By The Salley Gardens | Rebecca Clarke, Sivan Goldman, Shira Shaked | C Major | 1 | 8B | 87 BPM | ||
| Sibelius: Valse triste, Op. 44 | Jean Sibelius, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 102 BPM | ||
| Je t'aime ! | Isabelle Aboulker, Julie Roset, Susan Manoff | A Major | 2 | 11B | 75 BPM | ||
| Pulcinella, K 034: I. Sinfonia (ouverture) | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
| Taras Bulba: 1. The Death Of Andri | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | B Major | 1 | 1B | 84 BPM | ||
| Kleine Dreigroschenmusik: VII. Kanonen-Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 4 | 12A | 109 BPM | ||
| Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
| Adagio: Sonata No.3 In E BWV 1016 | The Swingle Singers | F♯ Minor | 1 | 11A | 100 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Alabama song | Bertolt Brecht | A♭ Minor | 2 | 1A | 79 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Das Eifersuchtsduett (2.Akt) (Erste Wolken am Himm | Bertolt Brecht, Kurt Weill | C Major | 3 | 8B | 120 BPM | ||
| À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
| Die Dreigroschenoper: Grabschrift | Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 77 BPM | ||
| The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | E Minor | 2 | 9A | 130 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Epilog - Finale | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 0 | 6B | 129 BPM | ||
| Mahler: Das Lied von der Erde: II. Der Einsame im Herbst | Gustav Mahler, Otto Klemperer, Christa Ludwig, New Philharmonia Orchestra, Philharmonia Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM |