Roy Eldridge's ' "Jolly Hollis" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Jolly Hollis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "The Nifty Cat". In this album, this song's track order is #25. Jolly Hollis is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Jolly Hollis by Roy Eldridge having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhythm Is Our Business | Jimmie Lunceford | G Minor | 4 | 6A | 111 BPM | ||
| Barry's Bop | Fats Navarro | G Minor | 4 | 6A | 111 BPM | ||
| Blue Note Boogie | James P. Johnson | D♭ Major | 3 | 3B | 105 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| When You're Smiling | King Oliver, King Oliver Orchestra | G Minor | 4 | 6A | 111 BPM | ||
| Parc on Summit | Glenn Crytzer | G Major | 4 | 9B | 183 BPM | ||
| Chimes Blues | King Oliver | G Minor | 4 | 6A | 111 BPM | ||
| (What I Did to Be So) Black and Blue | Muggsy Spanier | G Minor | 4 | 6A | 111 BPM | ||
| Gee Baby, Ain't I Good To You | Sonny Clark | D Major | 1 | 10B | 70 BPM | ||
| Soulville | The Ben Webster Quintet | G Minor | 4 | 6A | 111 BPM | ||
| Okay for Baby | The Big 18 | A♭ Major | 5 | 4B | 155 BPM | ||
| I'll Build A Stairway To Paradise | Eddie Condon | B♭ Major | 5 | 6B | 123 BPM | ||
| Jack, I'm Mellow | Charlie Shavers, The Blues Singers | E♭ Major | 3 | 5B | 98 BPM | ||
| Softly, As In A Morning Sunrise | Artie Shaw | F Major | 3 | 7B | 154 BPM | ||
| Algo Bueno | Roy Eldridge, Dizzy Gillespie | B♭ Minor | 2 | 3A | 79 BPM | ||
| Swing to Bop | Charlie Christian | F♯ Major | 4 | 2B | 110 BPM | ||
| Let Me Off Uptown | Gene Krupa Big Band, Anita O'Day, Roy Eldridge | A♭ Major | 3 | 4B | 133 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Sweet Sue - Just You | Benny Goodman Quartet | G Major | 2 | 9B | 167 BPM | ||
| The Sheik of Araby | J. C. Higginbotham | G Minor | 3 | 6A | 110 BPM | ||
| I Surrender Dear - Live / 1972 | The Jazz At The Philharmonic All-Stars, Roy Eldridge | A Minor | 1 | 8A | 98 BPM | ||
| A Smo-o-o-oth One (feat. Benny Goodman & Charlie Christian) | Benny Goodman Sextet, Benny Goodman, Charlie Christian | G Minor | 2 | 6A | 124 BPM | ||
| I Can't Get Started | Bunny Berigan | G Minor | 4 | 6A | 111 BPM | ||
| Bizet Has His Day | Les Brown | C Minor | 4 | 5A | 148 BPM | ||
| Willow Weep For Me - Remastered | Roy Eldridge | C Major | 2 | 8B | 136 BPM |