"Turkiye (Turkey): IV. Largamente" by Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek had its release date on July 15, 2014. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Rey: Turkey / Scenes From Turkey / Saygun: Meditations On Men 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hungary. Turkiye (Turkey): IV. Largamente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turkiye (Turkey): IV. Largamente by Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Primavera (Spring) Op. 8 No. 1 in D major: III. Allegro | Antonio Vivaldi, Luka Sulic, Archi dell'Accademia di Santa Cecilia, Luigi Piovano | D Major | 2 | 10B | 112 BPM | ||
| Scenes turques: No. 2, Bartın Havası | Cemal Reşit Rey, Hungarian State Orchestra, Cem Mansur | A♭ Major | 3 | 4B | 92 BPM | ||
| Instantanes (symphonic sketches): IV. Inside an empty mosque | Cemal Reşit Rey, Cem Mansur, Hungarian State Orchestra | C Minor | 4 | 5A | 90 BPM | ||
| Enstantaneler: 1, Fishermen pulling the Nets | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | G Major | 0 | 9B | 99 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | E Minor | 0 | 9A | 70 BPM | ||
| Gayane Suite No. 1: II. Gayane and Giko | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | C Minor | 2 | 5A | 78 BPM | ||
| Scenes turques: III. Aydin Havasi | Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek | D Minor | 1 | 7A | 71 BPM | ||
| Gülebilmez Gülüm | Ömer Yılmaz, Bekir Küçükay | F♯ Minor | 1 | 11A | 104 BPM | ||
| Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
| Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Enstantaneler: No. 5, Bayram | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D Minor | 1 | 7A | 94 BPM | ||
| Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Askeri Marş | Emre Aracı | C Major | 1 | 8B | 118 BPM | ||
| Resadiye Marsi - Arr. for Piano and String Quartet | Italo Selvelli, Henschel Quartett, Vedat Koşal | A Minor | 2 | 8A | 63 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| Broken Strings | Georgy Apollonovich Gapon, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | G Minor | 1 | 6A | 104 BPM | ||
| Nostalgia Song | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | D Minor | 0 | 7A | 69 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Gayane Suite No. 1: IV. Matsak and Armen | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 6 | 1B | 90 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM |