Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse by Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France Song Details

"Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse" by Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France had its release date on March 5, 2007. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 16 in Bizet . Chabrier . Fauré by Sir Thomas Beecham, London Philharmonic Orchestra, French National Radio Orchestra, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse by Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.078 dB
Acousticness: 98%
Danceability: 16%
Energy: 11%
Instrumentalness: 1%
Liveness: 17%
Loudness: 72%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bizet: Carmen, WD 31, Act 2: Entr'acte	Georges Bizet, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise	E♭ Major	0	5B	71 BPM
Karelia Suite, Op.11: 2. Ballade (Tempo di menuetto)	Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner, Barry Davis	A Minor	0	8A	69 BPM
Ketèlbey: Bells across the Meadows	Albert Ketèlbey, Philharmonia Orchestra, John Lanchbery	E♭ Major	2	5B	88 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra	F♯ Minor	0	11A	130 BPM
Prince Igor / Act 2: Dance of the Polovtsian Maidens	Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen	F Major	1	7B	100 BPM
Underneath the Stars	Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin	E♭ Major	1	5B	100 BPM
Romeo and Juliet Suite No. 2, Op. 64ter: II. Juliet as a Young Girl	Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton	C Major	0	8B	154 BPM
Florida Suite: I. Daybreak - Dance	Frederick Delius, English Northern Philharmonia, David Lloyd-Jones	A Major	0	11B	100 BPM
Irish Idyll	Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones	A Major	0	11B	81 BPM
Suite española, Op. 47: Cádiz (Saeta)	Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz	D Minor	0	7A	86 BPM
Oboe Concerto in A Minor: I. Rondo Pastorale	Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan	E♭ Major	1	5B	142 BPM
Pavane pour une infante défunte, M. 19	Maurice Ravel, Concertgebouworkest, Bernard Haitink	G Major	0	9B	141 BPM
3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	84 BPM
Dolly Suite, Op. 56: IV. Kitty-Valse	Gabriel Fauré, Katia Labèque, Marielle Labèque	E♭ Major	1	5B	101 BPM
Grieg: Holberg Suite, Op. 40: V. Rigaudon	Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi	G Major	1	9B	122 BPM
España	Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet	F Major	3	7B	117 BPM
Harp Concerto in A major: 2. Larghetto	Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown	D Major	1	10B	80 BPM
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	F Major	1	7B	90 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
4 Dance Episodes from Rodeo: No. 2, Corral Nocturne	Aaron Copland, Louis Lane, Atlanta Symphony Orchestra	D♭ Minor	1	12A	164 BPM
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	D♭ Minor	0	12A	131 BPM
Thaïs: Méditation	Jules Massenet, Barbara Jane Gilby, David Stanhope, Tasmanian Symphony Orchestra	E Minor	1	9A	182 BPM
Empty Abyss	Orithia	A Minor	0	8A	76 BPM