"Florida Suite: I. Daybreak - Dance" by Frederick Delius, English Northern Philharmonia, David Lloyd-Jones had its release date on January 16, 1997. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 9 in Delius: Florida Suite - Over the Hills and Far Away by Frederick Delius, David Lloyd-Jones, English Northern Philharmonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Florida Suite: I. Daybreak - Dance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Florida Suite: I. Daybreak - Dance by Frederick Delius, English Northern Philharmonia, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlioz: La damnation de Faust, Op. 24, H 111: Danse des sylphes | Hector Berlioz, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 152 BPM | ||
| The Red Pony Suite: I. Morning On The Ranch | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 1 | 7B | 75 BPM | ||
| Irish Idyll | Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 0 | 11B | 81 BPM | ||
| The Seasons, Op. 67: VIII. Scene 3, L'Eté | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
| Fancy Dress, Op. 82: Dusk: Dusk | Cecil Armstrong Gibbs, RTE Concert Orchestra, Ernest Tomlinson | G Major | 0 | 9B | 86 BPM | ||
| Siegfried: Forest Murmurs | Richard Wagner, George Szell, The Cleveland Orchestra | A Major | 0 | 11B | 67 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Chanson de Matin, Op. 15, No. 2 | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E♭ Major | 3 | 5B | 57 BPM | ||
| Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 1 | 6B | 118 BPM | ||
| The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5d, Pas de deux for Two Merry-Makers. Coda | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
| 3 Small Tone Poems: No. 3, Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 89 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, I. The Neighbors' Dance - Seguidillas | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
| Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni | Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters | B Major | 0 | 1B | 81 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM |