Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5d, Pas de deux for Two Merry-Makers. Coda by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra Song Details

"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5d, Pas de deux for Two Merry-Makers. Coda" by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra had its release date on March 29, 2011. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Swan Lake [Matthew Bourne version]". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5d, Pas de deux for Two Merry-Makers. Coda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5d, Pas de deux for Two Merry-Makers. Coda by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -13.522 dB
Acousticness: 92%
Danceability: 25%
Energy: 31%
Instrumentalness: 86%
Liveness: 35%
Loudness: 77%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sicilienne, Op. 78	Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva	G Minor	1	6A	123 BPM
Spartacus: Adagio of Spartacus and Phrygia	Aram Khachaturian, Wiener Philharmoniker	A♭ Major	1	4B	129 BPM
Carmen Ballet Suite (after Bizet): IX. Torero	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	F Major	5	7B	115 BPM
The Sleeping Beauty, Op. 66, Prologue: Introduction. The Lilac Fairy	Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti	E Major	2	12B	139 BPM
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante	Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov	B Minor	1	10A	106 BPM
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	74 BPM
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	G Minor	3	6A	116 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	B Major	4	1B	113 BPM
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise	Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard	F Major	3	7B	88 BPM
The Sorcerer's Apprentice	Philharmonia Orchestra	D♭ Major	2	3B	130 BPM
Dance of the goblins	Razvan Stoica	C Major	4	8B	177 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Elegie, Op. 24	Gabriel Fauré, Maria Kliegel, Nina Tichman	A♭ Major	0	4B	72 BPM
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
Fantasia on Greensleeves	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	89 BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	C Minor	2	5A	109 BPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies	Alexander Glazunov, Slovak Radio Symphony Orchestra	D Major	1	10B	100 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Minor	0	7A	117 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM