Chicago's ' "Take Me Back to Chicago" was released on its scheduled release date, September 12, 1977. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 13 in Chicago XI by Chicago. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Take Me Back to Chicago's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Take Me Back to Chicago by Chicago is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mademoiselle | Styx | A♭ Major | 5 | 4B | 121 BPM | ||
| After Dark | Andy Gibb | E Minor | 7 | 9A | 117 BPM | ||
| Poor Shirley | Christopher Cross | B♭ Major | 4 | 6B | 111 BPM | ||
| Bix | Airplay | E Minor | 5 | 9A | 79 BPM | ||
| Vagabond From Heaven | Stephen Bishop | B Major | 7 | 1B | 119 BPM | ||
| Scrapbook | Chicago | F Major | 7 | 7B | 103 BPM | ||
| Does It Have to Be You | Sanford Townsend Band | A Major | 7 | 11B | 91 BPM | ||
| Goodbye - 2002 Remaster | Chicago | F Minor | 6 | 4A | 177 BPM | ||
| Big Man On Mulberry Street | Billy Joel | C Major | 6 | 8B | 114 BPM | ||
| Hold Tight | Bread | D Minor | 7 | 7A | 98 BPM | ||
| This Time I'm In It For Love | Player | G Major | 4 | 9B | 104 BPM | ||
| Time Passages | Al Stewart | E♭ Major | 6 | 5B | 112 BPM | ||
| I Will Be In Love With You | Livingston Taylor | B Major | 3 | 1B | 85 BPM | ||
| Easy To Fall | Bob Welch | E Major | 5 | 12B | 121 BPM | ||
| Take Me Back to Chicago | Chicago | C Minor | 7 | 5A | 128 BPM | ||
| County Line | Pousette-Dart Band | E Major | 8 | 12B | 158 BPM | ||
| Please Don't Leave | Lauren Wood | D Major | 4 | 10B | 124 BPM | ||
| Shake It | Iain Matthews | E Major | 3 | 12B | 131 BPM | ||
| Say You'll Be Mine | Christopher Cross | E Major | 8 | 12B | 129 BPM | ||
| Love or Let Me Be Lonely | Paul Davis | E Minor | 9 | 9A | 175 BPM | ||
| Fair Game | Crosby, Stills & Nash | G Major | 6 | 9B | 87 BPM | ||
| As Long As We're Together | Chuck Mangione | D Minor | 4 | 7A | 94 BPM | ||
| Hitch a Ride | Boston | E♭ Major | 8 | 5B | 116 BPM | ||
| People of the South Wind | Kansas | A Minor | 9 | 8A | 137 BPM | ||
| Never Let Her Go | David Gates | A♭ Major | 4 | 4B | 84 BPM |