Henrik Lindstrand's 'In Churches' had a release date set for October 24, 2025. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Space Between (Extended Version)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Denmark. In Churches is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Churches by Henrik Lindstrand having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Øyne | Mattia Vlad Morleo, Daniel Herskedal | D Major | 1 | 10B | 69 BPM | ||
| Descending On The Ship's Prow | Tristan de Liège, Gregory Allison | B♭ Minor | 0 | 3A | 70 BPM | ||
| Tiden | Henrik Lindstrand | F Major | 1 | 7B | 124 BPM | ||
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| After midnight fades | Ilse Fisher | C Major | 0 | 8B | 64 BPM | ||
| Waves | Vetle Nærø | F♯ Minor | 0 | 11A | 100 BPM | ||
| Dear, Limerence - Sergio Díaz De Rojas Rework | Illuminine, Sergio Díaz De Rojas | E Minor | 2 | 9A | 80 BPM | ||
| Perpetuum | Marius Nitzbon | B♭ Minor | 0 | 3A | 70 BPM | ||
| Berceuse Rework | Felix Rösch, mondëna quartet | C Minor | 2 | 5A | 78 BPM | ||
| Falling Petals | James Russell | C Minor | 1 | 5A | 75 BPM | ||
| Cabo de Gata | Bart Sunshine | E♭ Major | 1 | 5B | 111 BPM | ||
| Whisper Dream | Miraen Flux | D Major | 4 | 10B | 112 BPM | ||
| CHANGE. CONSTANT | Andreas Ihlebæk | A Major | 0 | 11B | 62 BPM | ||
| Where You Were Before | Jacob Pavek | E♭ Major | 0 | 5B | 88 BPM | ||
| Fright - Kevin Corcoran Rework | Illuminine, Kevin Corcoran | E♭ Major | 0 | 5B | 103 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM | ||
| Sept Douleurs | Alexandra Hamilton-Ayres, Her Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Solregn | Julia Gjertsen | E Major | 1 | 12B | 206 BPM | ||
| They Both Die at the End | Isla Thorne | D Minor | 1 | 7A | 120 BPM | ||
| Prism | Peter Gregson | D Major | 2 | 10B | 66 BPM | ||
| Leva - Transformer Session | Henrik Lindstrand, Halvcirkel | C Major | 0 | 8B | 176 BPM | ||
| Mishkin | Paul Haslinger | A Major | 1 | 11B | 120 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Last Meeting Pt. 2 | Bugge Wesseltoft | F Major | 0 | 7B | 83 BPM | ||
| Reaching Out | Stefano Guzzetti | C Minor | 2 | 5A | 125 BPM |