"Piano Reflections, From: Piano Pur" by Michaela Pühn, Rainer Fabich had its release date on October 13, 2005. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Piano Pur - Rainer Fabich". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Based on our statistics, Piano Reflections, From: Piano Pur's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Reflections, From: Piano Pur by Michaela Pühn, Rainer Fabich having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhapsody for Clarinet | Willson Osborne, Karl Leister | D♭ Major | 0 | 3B | 143 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Melodia (After Pyotr Ilyich Tchaikovsky) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | E♭ Major | 0 | 5B | 173 BPM | ||
| Rumba | Thomas Peter-Horas, Peter-Horas, Thomas, Unerhört Fagott | C Major | 4 | 8B | 118 BPM | ||
| Vocalise | Anthony Mcgill | C Minor | 0 | 5A | 71 BPM | ||
| Malapou-Galopp, Op. 148 | Joseph Lanner, Wiener Lanner Ensemble | A Major | 2 | 11B | 157 BPM | ||
| Double Bass Sonata: I. Largo | Henry Eccles, Ferenc Csontos, Balazs Szokolay | A Minor | 0 | 8A | 178 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): IV. Molto moderato | Béla Bartók, Ensemble Villa Musica | D Minor | 0 | 7A | 77 BPM | ||
| Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
| Bottesini: Double Bass Concerto in B Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 1 | 9B | 167 BPM | ||
| Suite for Flute and Piano Op. 34 No 1: III Romance | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | A♭ Major | 1 | 4B | 83 BPM | ||
| Capuzzi: Concerto for Double Bass: I. Allegro Moderato | Mark Morton | F Major | 1 | 7B | 113 BPM | ||
| Concertino in E flat, J109 (Op. 26): III: Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 68 BPM | ||
| Serenade, Op. 8: I. Marcia | Ludwig van Beethoven, Konrad Hünteler, Michaela Pühn | D Major | 1 | 10B | 114 BPM | ||
| Capriol Suite: VI. Mattachins | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| Verbunkos Suite: II. Fresh Hungarian | Rezső Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | D Major | 1 | 10B | 59 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 11: Vivace | Domenico Dragonetti, Ubaldo Fioravanti | D Major | 1 | 10B | 152 BPM | ||
| Tanz Der Marionetten - Dance Of The Marionettes - Celesta | Michaela Pühn, Rainer Fabich | F♯ Major | 1 | 2B | 140 BPM | ||
| Children's Suite: II. March | Grażyna Bacewicz, Morta Grigaliunaite | C Major | 1 | 8B | 117 BPM | ||
| Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: Allegretto | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | F Major | 1 | 7B | 147 BPM | ||
| Polonaise de Concert, Op. 14 | David Popper, László Mező, Gábor Farkas | B♭ Major | 1 | 6B | 81 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 12: Presto | Domenico Dragonetti, Ubaldo Fioravanti | F Major | 1 | 7B | 178 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM |