- BPM
- 71
- Key
- C Minor
- Camelot
- 5A
Vocalise by Anthony Mcgill Song Details
"Vocalise" by Anthony Mcgill had its release date on September 27, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 13 in Anthony McGill by Anthony Mcgill. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Vocalise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Vocalise by Anthony Mcgill is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -26.391 dB
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 0%
- Instrumentalness
- 92%
- Liveness
- 7%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | |
 | Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | |
 | Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | |
 | Salute, Signore Rossini | Béla Kovács, Ludmila Peterková, Irina Kondratenko | B♭ Major | 1 | 6B | 72 BPM | |
 | Piazzolla / Transcr. Ducros: Chin Chin | Lucienne Renaudin Vary | E Minor | 3 | 9A | 122 BPM | |
 | Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Oboe Sonata, FP 185: I. Elégie | Francis Poulenc, Alex Klein, Phillip Bush | F Major | 4 | 7B | 89 BPM | |
 | I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) | Vincenzo Bellini, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | G Major | 0 | 9B | 90 BPM | |
 | Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | |
 | V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | |
 | Adagio-Tarantella | United States Coast Guard Band, Chief Musician Ralph R. Loomis | D Major | 0 | 10B | 69 BPM | |
 | Suite from L’Histoire du Soldat (A Soldier’s Tale): Marche du soldat - Live | Igor Stravinsky, Anthony Mcgill, Jorja Fleezanis, Gilbert Kalish | F♯ Minor | 2 | 11A | 84 BPM | |
 | Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | |
 | Light Upon the Turning Leaf | Bruce MacCombie, Marya Martin, Anthony Mcgill, Seth Baer, Stefan Jackiw, Beth Guterman, Edward Arron, Shai Wosner | F Major | 0 | 7B | 66 BPM | |
 | II. Grand Ave. | Valerie Coleman, Anthony Mcgill, Pacifica Quartet | D Minor | 1 | 7A | 169 BPM | |
 | Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | |
 | Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | |
 | Monolog nº3 -I | Josep Fuster | A Major | 0 | 11B | 116 BPM | |
 | Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | F Major | 0 | 7B | 102 BPM | |
 | Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | |
 | Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | |
 | 3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | |
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | |
 | Waldszenen: 9. Abschied | Calefax Reed Quintet | B♭ Major | 0 | 6B | 134 BPM | |
 | Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM |
- ISRC
- ushm91010609
- Label
- L-M Records/RCA Records