Nikolas Eleftheriou's 'Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou' had a release date set for January 3, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou by Nikolas Eleftheriou is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bagatelle | Hermann Neuling, Jesse McCormick | F Major | 0 | 7B | 66 BPM | ||
| The Afternoon | David Joseph, Trio Classico | F Major | 2 | 7B | 101 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
| Clarinet Sonata in F Minor, Op. 120, No. 1: III. Allegretto grazioso | Johannes Brahms, Martin Fröst, Roland Pöntinen | A♭ Major | 0 | 4B | 78 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 6, The Fight | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 1 | 12B | 133 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E Major | 1 | 12B | 133 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | B Minor | 1 | 10A | 76 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM | ||
| Bartók: Suite from the Miraculous Mandarin, Op. 19b, Sz. 73: IV. Second Seduction Game | Béla Bartók, Hugh Wolff, Philharmonia Orchestra | C Major | 1 | 8B | 175 BPM | ||
| Suite en trio, Op. 59: II. Pastorale | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Major | 2 | 12B | 112 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 1 | 12B | 133 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Romance No. 6, Op. 35 | Reinhold Glière, Javier Bonet, Miriam Gomez-Moran | C Minor | 0 | 5A | 65 BPM | ||
| Horn Sonatina: I. Allegro moderato | Jaroslav Kofroň, Steven Gross, Pascal Salomon | D♭ Major | 0 | 3B | 67 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Romance (After Georges Bizet) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | A Minor | 0 | 8A | 90 BPM | ||
| The French Lieutenant's Woman: Escape | Carl Davis, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Bassoon Sonata in G Major, Op. 168: II. Allegro scherzando | Camille Saint-Saëns, Christopher Millard, Stephane Lemelin | B Major | 0 | 1B | 71 BPM | ||
| Pastoraalisarja, Op. 34: III. Legenda | Leevi Madetoja, Oulu Sinfonia, Rumon Gamba | A Minor | 0 | 8A | 75 BPM |