- BPM
- 128
- Key
- B♭ Minor
- Camelot
- 3A
Lessons (Original) by Martin Thompson, Noir Song Details
Martin Thompson, Noir's ' "Lessons (Original)" was released on its scheduled release date, November 3, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Martin Thompson's "Lessons" album is number 1 out of 3. Based on our statistics, Lessons (Original)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
We consider the tempo marking of Lessons (Original) by Martin Thompson, Noir to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -9.758 dB
- Acousticness
- 0%
- Danceability
- 69%
- Energy
- 66%
- Instrumentalness
- 87%
- Liveness
- 5%
- Loudness
- 84%
- Speechiness
- 5%
- Valence
- 60%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | |
 | Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | |
 | Turandot / Act 1: Padre! Mio padre! (Calaf, Coro, Liù, Timur) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | G Major | 1 | 9B | 125 BPM | |
 | Le nozze di Figaro, K. 492, Act II: No. 16, Finale: h-i. Voi signor, che giusto siete | Wolfgang Amadeus Mozart, Jane Berbié, Robert Tear, Kurt Moll, Thomas Allen, Lucia Popp, Kiri Te Kanawa, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 3 | 5B | 130 BPM | |
 | La bohème, Act II: Chi l'ha richiesto? – Caro! – Fuori il danaro! | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Luciano Pavarotti, Rolando Panerai, Elizabeth Harwood, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 119 BPM | |
 | Mass No. 2 in D Minor, "Messe Solennelle": Credo. Allegro | Luigi Cherubini, Pamela Coburn, Gisela Burandt, Cornelia Kallisch, Martin Thompson, Martin Wanner, Jacob Will, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 2 | 9B | 125 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Sherrill Milnes, Italo Tajo, Michel Sénéchal, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
| Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | |
 | Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | F Major | 2 | 7B | 73 BPM | |
 | Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | |
 | Lessons (Original) | Martin Thompson, Noir | B♭ Minor | 7 | 3A | 128 BPM | |
 | Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | |
| Mass No. 2 in D Minor, "Messe Solennelle": Qui Tollis: Cum Sancto Spiritu: Grave - Allegro | Luigi Cherubini, Pamela Coburn, Gisela Burandt, Cornelia Kallisch, Martin Thompson, Martin Wanner, Jacob Will, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 3 | 10B | 127 BPM | |
 | Puccini: Tosca, Act 2 Scene 4: "Nel pozzo... nel giardino… Floria! … Amore" (Tosca, Scarpia, Sciarrone, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | |
 | Don Giovanni, K. 527, Act II: No. 23a Crudele! Ah no, mio bene! | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 176 BPM | |
 | Rigoletto / Act 1: "Già da tre lune son qui venuta" - "Olà?" / "Signor?" (Gilda, Rigoletto / Rigoletto, Giovanna) | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 77 BPM | |
| Don Giovanni, K. 527, Act I: No. 10a, Don Ottavio, son morta! | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Gösta Winbergh, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 69 BPM | |
 | Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | |
 | The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | |
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records