Rekha Rathod's ' "Bhinjai Gharcholu Bhinjai Chundadi" was released on its scheduled release date, July 8, 1995. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Randal Maa Ni Chundadi, Vol. 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Bhinjai Gharcholu Bhinjai Chundadi is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bhinjai Gharcholu Bhinjai Chundadi by Rekha Rathod having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhola Dhol Manjeera | Vandana Bhardwaj | A♭ Major | 5 | 4B | 89 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| Chamunda Maa Ni Aarti - Mataji Ni Aarti | Rekha Rathod | F Minor | 9 | 4A | 78 BPM | ||
| Oh Sanware Sabse Bado Tero Naam | Devki Nandan Thakur Ji Maharaj | E♭ Major | 6 | 5B | 75 BPM | ||
| Shu Dhare Krushnaji Shu Dhare Ramji | Kiran Prajapati | F♯ Major | 8 | 2B | 108 BPM | ||
| Panido Bharan Me To Jad Jyaaon | Sanjay Bhagi, Seema Mishra | G Major | 5 | 9B | 124 BPM | ||
| Bolo Dhajaband Dhare | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Dhany Dhany Kanifnath | Chhagan Chougule | A Major | 7 | 11B | 101 BPM | ||
| Tuza Mani Dhyas Sai | Bhalchandra Lavate | D♭ Major | 9 | 3B | 90 BPM | ||
| Banno Mharo Char Bhuja Ro Nath | Sukhdev Bharti | A♭ Major | 8 | 4B | 122 BPM | ||
| Anant Koti Brahmand Nayak | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Pyalo Me Pidho Che | Suresh Raval | B♭ Minor | 9 | 3A | 142 BPM | ||
| Nache Le Chori Nachle Chori Aajki Rate Nindomai | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | B♭ Minor | 8 | 3A | 120 BPM | ||
| Baras Baras Ho Kari Badariya | Madan Rai | D♭ Major | 6 | 3B | 101 BPM | ||
| Chori I Love U Chori Hu Tane Kahu Chu | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | D♭ Major | 7 | 3B | 122 BPM | ||
| Kahe Chhe Bhakto Amar Chhe | Ishvardan Gadhavi, Gagan Jethva, Suresh Rawal, Nitin Devka, Bhadrayu Dholkiya, Farida Mir, Nidhi Dholkiya, Jayshree Das | D♭ Major | 6 | 3B | 80 BPM | ||
| Charan Kul Ni Dikari Butbhavani Nam | Rekha Rathod | F Major | 8 | 7B | 92 BPM | ||
| Dwar Ke Chhikai | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Seva Me Bag Lagaye Meyya | Pandit Yuvraj Pandey Ji | B♭ Major | 7 | 6B | 163 BPM | ||
| Holi Aayi Ude Re Gulaal | Babu Rajoriya, Suresh Jeriya, Lata Panwar, Rekha Rathod, Preeti Rai, Bindiya Solanki | A♭ Minor | 6 | 1A | 140 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM | ||
| Haliya Re Sangh Haliyo | Hamir Gadhvi, Rekha Rathod | F Minor | 10 | 4A | 144 BPM | ||
| Khodiyar Maa Ni Varta Aatabhai Gohil Ne Bhale Betha Maa Khodiyar - Jai Khodiyar Maa | Shantilal Vataliya, Rekha Rathod | F Major | 6 | 7B | 184 BPM | ||
| Vahanvati Maa Ni Aarti - Mataji Ni Aarti | Rekha Rathod | D♭ Major | 6 | 3B | 120 BPM |