Hamir Gadhvi, Rekha Rathod's ' "Haliya Re Sangh Haliyo" was released on its scheduled release date, July 7, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pankaj Bhatt, Prabhat Barot's "Maa Khodal No Khamm karo" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Haliya Re Sangh Haliyo's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Haliya Re Sangh Haliyo by Hamir Gadhvi, Rekha Rathod to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mandavado Ma No Mandavado | Rekha Rathod | C Minor | 9 | 5A | 108 BPM | ||
| He Anandno Avsario | Baps Swaminarayan Sanstha | D♭ Major | 7 | 3B | 142 BPM | ||
| Lilo Chandliyo Pilo | Kamlesh Barot | A♭ Major | 4 | 4B | 170 BPM | ||
| Dayalu Dada Sarvane | Hamir Gadhvi, Rekha Rathod, Uday Gadhvi | E♭ Minor | 6 | 2A | 148 BPM | ||
| Ajnabi Sheher Key | Salman Alvi | F Minor | 6 | 4A | 129 BPM | ||
| Mojgan Siya | Nasrat Parsa | F Major | 7 | 7B | 120 BPM | ||
| Vage Nobat Nagara Re ( Aarti ) | Hamir Gadhvi, Rekha Rathod | G Major | 8 | 9B | 90 BPM | ||
| val Val Mari Vela Re Val | Jayesh Kharvada | B Minor | 7 | 10A | 104 BPM | ||
| Aya Hu Maie Banjara | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Veer Mangda Valo Padma No Pritam | Gagan Jethva | D♭ Major | 7 | 3B | 80 BPM | ||
| Aarti Har Har Mahadev | Niranjan Pandya | F♯ Major | 8 | 2B | 83 BPM | ||
| Shambhu Charane Padi | Hemant Chauhan | F Minor | 3 | 4A | 173 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Aaya Tere Dhwar Jogi Aaya Tere | Niranjan Pandya | A♭ Major | 7 | 4B | 97 BPM | ||
| Sacha re santo ni mathe bhakti kera mol | ખબર નય | G Minor | 6 | 6A | 168 BPM | ||
| Helo Maro Sambhdo | Ghanshyam Makvana | F♯ Major | 6 | 2B | 116 BPM | ||
| Jay Kapi Balavanta | Shree Swaminarayan Mandir Kalupur | D Minor | 7 | 7A | 85 BPM | ||
| Tara Vina Shyam | Atul Purohit, Himali Vora, Kairavi Buch | E♭ Major | 3 | 5B | 93 BPM | ||
| Bhakti Re Karvi Tene | Hari Bharwad | F♯ Minor | 8 | 11A | 143 BPM | ||
| Ashwari Hans Laali Shobhti Re | Hamir Gadhvi, Rekha Rathod, Uday Gadhvi | A Major | 5 | 11B | 130 BPM | ||
| Haliya Re Sangh Haliyo | Hamir Gadhvi, Rekha Rathod | F Minor | 10 | 4A | 144 BPM | ||
| Aaj Vrindavan Rass Rachyo Hai | Seema Mishra | E Major | 5 | 12B | 95 BPM | ||
| Durge Durge | Vikram Hazra | G Minor | 9 | 6A | 170 BPM | ||
| Mare Thakorji Nathi Thavu | Aditya Gadhvi | B♭ Minor | 6 | 3A | 155 BPM | ||
| Jalkamal Chhandi (From "Narsinh Mehta Na Prabhatiya") | Karsan Sagathia, Lalita Ghodadra | F Major | 4 | 7B | 173 BPM |