"Die Jahreszeiten (the Seasons), Hob. XXI:3: Der Frühling [Spring]: Introduction and Recitative. Seht, wie der strenge Winter [Simon, Lukas, Hanne]" by Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen had its release date on March 21, 2006. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen, Leipziger Kammerorchester's "Haydn: Die Jahreszeiten (The Seasons)" album is number 1 out of 43. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Die Jahreszeiten (the Seasons), Hob. XXI:3: Der Frühling [Spring]: Introduction and Recitative. Seht, wie der strenge Winter [Simon, Lukas, Hanne] is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Jahreszeiten (the Seasons), Hob. XXI:3: Der Frühling [Spring]: Introduction and Recitative. Seht, wie der strenge Winter [Simon, Lukas, Hanne] by Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Jahreszeiten (the Seasons), Hob. XXI:3: Der Herbst [Autumn]: Recitative. Am Rebenstocke blinket jetzt [Hanne] | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 2 | 8B | 110 BPM | ||
| Symphony in B-Flat Major, W. I/20: I. Largo - Allegro | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | A♭ Major | 0 | 4B | 122 BPM | ||
| 3 Motetten, Op. 52: No. 2, Das ist ein köstliches Ding | Georg Schumann, Kammerchor der Hochschule für Musik Freiburg, Morten Schuldt-Jensen | E Major | 1 | 12B | 79 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner":Menuetto | Academy of St. Martin in the Fields, Iona Brown | A Major | 0 | 11B | 130 BPM | ||
| Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) | Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker | B♭ Major | 1 | 6B | 118 BPM | ||
| Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | G Minor | 0 | 6A | 99 BPM | ||
| Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
| Mass No. 1 in F Major, D. 105: Credo. Et resurrexit | Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipziger Kammerorchester, Morten Schuldt-Jensen | B Minor | 1 | 10A | 55 BPM | ||
| Symphony No. 5 In B Flat, D.485: III. Menuetto (Allegro molto) | Franz Schubert, Wiener Philharmoniker, Karl Böhm | G Minor | 1 | 6A | 94 BPM | ||
| Piano Quintet in A Major, Op. 114, D 667 - "The Trout": I. Allegro vivace | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | E Major | 1 | 12B | 81 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: I. Allegro assai | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 154 BPM | ||
| Athalia, HWV 52: Part 1, Scene 1: No. 6 Aria (Abner and Chorus, Israelites) | George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | C Major | 2 | 8B | 99 BPM | ||
| String Quartet in G Minor, Op. 74 No. 3 "Rider": I. Allegro | Joseph Haydn, Lukas Hagen, Rainer Schmidt, Veronika Hagen, Clemens Hagen, Hagen Quartett | B♭ Major | 1 | 6B | 162 BPM | ||
| Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
| Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | F♯ Minor | 0 | 11A | 142 BPM | ||
| Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro | Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow | G Minor | 0 | 6A | 66 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Andra Dārziņa, Urban Camerata | C Major | 1 | 8B | 135 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 0 | 5B | 83 BPM | ||
| Elverskud (Elf-King's Daughter), Op. 30: Prologue: Andantino | Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt | E Major | 1 | 12B | 74 BPM | ||
| Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
| Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro | Johann Sebastian Bach, Philippe Pierlot, Katharine Fuge, Jan Kobow, Stephan MacLeod, Ricercar Consort, Carlos Mena | G Major | 1 | 9B | 66 BPM | ||
| Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Boulogne Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 98 BPM | ||
| Die Jahreszeiten, Hob. XXI:3: Der Sommer: 9. Rezitativ und Arie: Willkommen jetzt o drunkler Hain (Hanne) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM |