- BPM
- 66
- Key
- G Minor
- Camelot
- 6A
Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro by Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow Song Details
"Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro" by Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow had its release date on 2001. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 17 in Bach: Actus Tragicus by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jan Kobow, Katharine Fuge, Stephan MacLeod. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro by Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -27.884 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | |
 | Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | |
 | Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | |
 | Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM | |
 | Bach / Busoni: Toccatas and Fugues, BV B29: No. 1, Toccata and Fugue in C Major: Adagio (After Bach's BWV 564) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | |
 | Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | |
 | Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | |
 | Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | |
 | Concerto for 2 Pianos in E-Flat Major, K. 365: III. Rondo. Allegro moderato | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | |
 | Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Montero: Chaconne (after the "Ciaccona" from Bach's "Violin Partita No. 2", BWV 1004): | Gabriela Montero, Johann Sebastian Bach | D Minor | 2 | 7A | 151 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 79 BPM | |
 | French Suite No. 1 in D Minor, BWV 812: I. Allemande | Johann Sebastian Bach, Yuan Sheng | D Minor | 2 | 7A | 105 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | |
 | Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | |
 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Keyboard Sonata in F Minor, K. 466 | Domenico Scarlatti, Jean-Yves Thibaudet | F Minor | 1 | 4A | 89 BPM | |
 | Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM |
- ISRC
- FRU620400212
- Label
- L-M Records/RCA Records