Frank Ricotti, Les Hurdle's ' "Hostile Streets" was released on its scheduled release date, November 22, 1978. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Hostile Streets's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "STREET PICTURES (Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Canada. In terms of popularity, Hostile Streets is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hostile Streets by Frank Ricotti, Les Hurdle having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Cerebro | Henry Jackman | D Major | 2 | 10B | 109 BPM | ||
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| The End - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A♭ Minor | 1 | 1A | 109 BPM | ||
| Make Thee an Ark | Clint Mansell | A Minor | 3 | 8A | 71 BPM | ||
| The Island Awaits You | Steve Jablonsky | A Minor | 3 | 8A | 120 BPM | ||
| Quantum of Solace: A Night at the Opera | Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| The Skies Do Not Fall | B.S.O. Varios | E Minor | 3 | 9A | 83 BPM | ||
| Go Get Along Groove | Steve Pearce, John Parricelli, Mitch Dalton, Ian Thomas, Frank Ricotti, David Arch | F Major | 6 | 7B | 112 BPM | ||
| The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) | Éric Serra | B♭ Minor | 5 | 3A | 99 BPM | ||
| On The Rooftops | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| I Don't Even Know My Own Name | Junkie XL | F Minor | 1 | 4A | 66 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Did I Make The Most Of Loving You | Mary-Jess | F Major | 3 | 7B | 84 BPM | ||
| Countdown to Execution | David Buckley | F Minor | 4 | 4A | 135 BPM | ||
| Maybe You Killed Her | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| San Andreas End Credits | Andrew Lockington | D Major | 7 | 10B | 130 BPM | ||
| Bullies And Sweet Rock | John Debney | E Minor | 2 | 9A | 68 BPM | ||
| Fanfarre Y Créditos | Roque Baños, Pro Arte Orchestra Of London | F♯ Minor | 1 | 11A | 139 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| The Physician Theme (Bonus Track) | Ingo Ludwig Frenzel | F♯ Minor | 2 | 11A | 63 BPM |