Éric Serra's 'The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James)' had a release date set for January 1, 1995. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Éric Serra's "Goldeneye" album is number 2 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) by Éric Serra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from NYPD Blue | Mike Post | B♭ Major | 7 | 6B | 118 BPM | ||
| Main Title (Extended) | Jeff Russo | B♭ Major | 5 | 6B | 142 BPM | ||
| John Doe | Howard Shore | F♯ Minor | 2 | 11A | 123 BPM | ||
| Sarah On The Run - Remastered 2017 | Brad Fiedel | D Major | 6 | 10B | 132 BPM | ||
| Fatman | Éric Serra | D Major | 3 | 10B | 82 BPM | ||
| Tears in Rain | Vangelis | C Major | 2 | 8B | 96 BPM | ||
| Rogue Agent | Timothy Shortell | B Minor | 7 | 10A | 152 BPM | ||
| Nice One Skippy | Peter Best | A Major | 3 | 11B | 144 BPM | ||
| Spybreak - from "The Matrix" | Fusion | B Minor | 9 | 10A | 128 BPM | ||
| Training Montage - Original Motion Picture Soundtrack | Harry Gregson-Williams, London Session Orchestra | E Major | 8 | 12B | 97 BPM | ||
| What's Happening Out There ? | Éric Serra | D Minor | 5 | 7A | 144 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Miami at Night Drive | Allister Brimble | D♭ Major | 6 | 3B | 120 BPM | ||
| Main Title (Shōgun) | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| For Ever, James | Éric Serra | F♯ Major | 1 | 2B | 74 BPM | ||
| Breadcrumbs | Thomas Newman | C Major | 1 | 8B | 137 BPM | ||
| Conan & Bombaata Battle - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 6 | 8A | 140 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| INVERSION | Ludwig Göransson | D♭ Major | 4 | 3B | 120 BPM | ||
| Korben Dallas | Éric Serra | B♭ Minor | 4 | 3A | 99 BPM | ||
| Star Trek: Strange New Worlds (Main Title Theme) | Jeff Russo | C Major | 5 | 8B | 65 BPM | ||
| Intriguing Possibilities | Trent Reznor and Atticus Ross | D Major | 4 | 10B | 133 BPM | ||
| Going Down Together | Die Another Day Soundtrack | C Major | 1 | 8B | 80 BPM | ||
| Access Denied | David Arnold | F Major | 2 | 7B | 80 BPM | ||
| James Bond Theme - Moby's Re-Version | Moby | D♭ Major | 10 | 3B | 189 BPM |