"Training Montage - Original Motion Picture Soundtrack" by Harry Gregson-Williams, London Session Orchestra had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Training Montage - Original Motion Picture Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Spy Game". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Training Montage - Original Motion Picture Soundtrack is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Training Montage - Original Motion Picture Soundtrack by Harry Gregson-Williams, London Session Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Command (feat. G.E. Smith & Larry Saltzman) | Howard Shore, G.E. Smith, Larry Saltzman | A Minor | 2 | 8A | 120 BPM | ||
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| Earth 2077 | M83, Anthony Gonzalez, Joseph Trapanese | D Minor | 5 | 7A | 99 BPM | ||
| Spybreak! | Propellerheads | B♭ Minor | 9 | 3A | 128 BPM | ||
| Moribund Mifune | Don Davis | D Minor | 7 | 7A | 134 BPM | ||
| On Bridge Number 9 | John Powell | A Minor | 5 | 8A | 105 BPM | ||
| Do People Change? | Ramin Djawadi | F Major | 3 | 7B | 148 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Out Of The Garage | Daniel Pemberton | E Major | 6 | 12B | 118 BPM | ||
| Spybreak - from "The Matrix" | Fusion | B Minor | 9 | 10A | 128 BPM | ||
| Street Games | Ryan Taubert | D Major | 8 | 10B | 130 BPM | ||
| What R We Stealing | David Holmes | D Major | 8 | 10B | 127 BPM | ||
| The Island Awaits You | Steve Jablonsky | A Minor | 3 | 8A | 120 BPM | ||
| Home Invasion | Graeme Revell | A Major | 8 | 11B | 150 BPM | ||
| Grand Central - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | B Major | 6 | 1B | 128 BPM | ||
| Peggy Stabs Hanzee | Jeff Russo, USC Drum Corps, Adam Klemens, Fargo Television Orchestra | B♭ Minor | 7 | 3A | 98 BPM | ||
| Guns Blazin' | Professor Kliq | B Major | 9 | 1B | 125 BPM | ||
| Laser Fight | Die Another Day Soundtrack | A Minor | 6 | 8A | 90 BPM | ||
| The Return (Orchestral Session) | Rob Dougan | B♭ Major | 5 | 6B | 130 BPM | ||
| Listen to the Beethoven | Mark Isham | C Major | 2 | 8B | 128 BPM | ||
| Escape 700 | The Chemical Brothers | C Major | 8 | 8B | 112 BPM | ||
| Summit | Dario Marianelli | D♭ Minor | 2 | 12A | 85 BPM | ||
| Rocket Away | Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams | A Major | 3 | 11B | 133 BPM | ||
| 1999 | Danny Bensi and Saunder Jurriaans | C Major | 6 | 8B | 144 BPM |