"Ambush Site Suspense" by Mark Morgan had its release date on June 3, 2021. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wasteland 3 (Original Score) by Mark Morgan. The song's track number on the album is #16 out of 29 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Ambush Site Suspense is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ambush Site Suspense by Mark Morgan has a tempo of 200 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Ambush Site Suspense being at 200 BPM, the half-time would be 100 BPM with a double-time of 400 BPM.The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Follow the Fahr | Daniel L.K. Caldwell | E Minor | 0 | 9A | 80 BPM | ||
| Farewell to Hollow Space | Keosz | B♭ Minor | 3 | 3A | 74 BPM | ||
| Escape and Evasion | Jack Wall | C Major | 5 | 8B | 147 BPM | ||
| Roseway | Justin E. Bell | G Major | 3 | 9B | 146 BPM | ||
| Echoes Of A Fading Figure | Akira Yamaoka | F♯ Minor | 0 | 11A | 62 BPM | ||
| Contaminated Water | Mike Zarin, Tony Hajjar | B♭ Major | 3 | 6B | 125 BPM | ||
| Ad Astra | Ryan Roth, Ryan Henwood | G Major | 8 | 9B | 122 BPM | ||
| Nihil Est Simplex | Petri Alanko | C Major | 2 | 8B | 112 BPM | ||
| The Magnetic Throne | Kammarheit | E♭ Major | 0 | 5B | 84 BPM | ||
| Deplete | Luke Atencio | F♯ Major | 0 | 2B | 140 BPM | ||
| Negotiating the Confession (Alt) | Paul Leonard-Morgan | D Minor | 2 | 7A | 54 BPM | ||
| Wasteland 3 Opening | Mark Morgan | D♭ Major | 4 | 3B | 100 BPM | ||
| Holy Detonation Chant (Remix) | Mark Morgan, Alexander Brandon | D Major | 1 | 10B | 142 BPM | ||
| Lone Traveler | Tofiq Mikayilzade, Ted Boyarskiy | C Major | 1 | 8B | 126 BPM | ||
| Transcend | Sjellos | B♭ Major | 2 | 6B | 72 BPM | ||
| The Basalt Massif | Gustaf Hildebrand | B Minor | 3 | 10A | 118 BPM | ||
| The Amber Temple: Ambience Background | Supernova Collective | F Major | 2 | 7B | 119 BPM | ||
| Belly of the Beast | Ambient Realms | C Minor | 1 | 5A | 79 BPM | ||
| Hunting Phase | Lauren Pham | A Minor | 6 | 8A | 120 BPM | ||
| Police Station Basement | 内山 修作 | D♭ Major | 2 | 3B | 142 BPM | ||
| Eternity Shuddred At The Image Of Death | Desiderii Marginis | D♭ Minor | 4 | 12A | 54 BPM | ||
| Purple | Mark Morgan | D♭ Minor | 3 | 12A | 130 BPM | ||
| Lamb Of God | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Detention | Paul Haslinger | D♭ Major | 1 | 3B | 139 BPM | ||
| Andor | In Quantum | C Major | 1 | 8B | 78 BPM |