"Negotiating the Confession (Alt)" by Paul Leonard-Morgan had its release date on March 17, 2023. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Negotiating the Confession (Alt)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 42 in Boston Strangler (Original Score) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Negotiating the Confession (Alt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Negotiating the Confession (Alt) by Paul Leonard-Morgan is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Beginning Is the End | Ola Strandh | E Minor | 5 | 9A | 100 BPM | ||
| The Look Back | Jack Bartman | D Minor | 2 | 7A | 119 BPM | ||
| Alone We Have No Future | Ludvig Forssell | F Minor | 1 | 4A | 73 BPM | ||
| Adam Smasher | Paul Leonard-Morgan | D Major | 10 | 10B | 140 BPM | ||
| 747 | Ludwig Göransson | G Major | 7 | 9B | 140 BPM | ||
| Mare Tranquillitatis | Acoustic Labs | F Major | 4 | 7B | 128 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM | ||
| The Child, Pt.2 - From "Macbeth" Soundtrack | Jed Kurzel | E Minor | 5 | 9A | 152 BPM | ||
| A Quiet Family | Marco Beltrami | G Major | 1 | 9B | 61 BPM | ||
| Under Control | Atli Örvarsson | E Minor | 4 | 9A | 92 BPM | ||
| Parasite | Ramin Djawadi | F Minor | 3 | 4A | 124 BPM | ||
| 1.0_5-pierreloti.au | Mac Quayle | G Major | 2 | 9B | 100 BPM | ||
| Rooftops | Ola Strandh | B♭ Minor | 3 | 3A | 164 BPM | ||
| Ambulance Chase | Ben Salisbury, Geoff Barrow | A♭ Major | 2 | 4B | 175 BPM | ||
| Control | Jed Palmer | D♭ Minor | 0 | 12A | 69 BPM | ||
| Per Aspera | Brunon Lubas | B Major | 3 | 1B | 85 BPM | ||
| The Mole | Michael McCann | E Major | 2 | 12B | 125 BPM | ||
| Family Ties | Marco Beltrami | G Major | 1 | 9B | 64 BPM | ||
| Fisk | Jed Palmer | E Minor | 0 | 9A | 76 BPM | ||
| Race To The Top | Atli Örvarsson | B♭ Minor | 7 | 3A | 114 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Sea of Corpses | David García Díaz, Andy LaPlegua | D Minor | 4 | 7A | 120 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM |