G.P. テレマン, 工藤重典(フルート), 成田有花(チェンバロ&ピアノ)'s ' "ソナタ ヘ短調 TWV41:F1 Ⅰ.トリステ" was released on its scheduled release date, January 25, 2014. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. ソナタ ヘ短調 TWV41:F1 Ⅰ.トリステ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 大協奏幻想曲 ~フルート・デュオ作品集~, so we believe that "ソナタ ヘ短調 TWV41:F1 Ⅰ.トリステ" is a single. ソナタ ヘ短調 TWV41:F1 Ⅰ.トリステ is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of ソナタ ヘ短調 TWV41:F1 Ⅰ.トリステ by G.P. テレマン, 工藤重典(フルート), 成田有花(チェンバロ&ピアノ) is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| ソナタ 第2番 ヘ長調 作品2 Ⅲ. Largo | G.P. テレマン, 山岡重治(リコーダー), 向江昭雅(リコーダー) | F Major | 0 | 7B | 68 BPM | ||
| Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| The Queen's Farewell – The Queen's Farewell | James Paisible, Thomas Tollett, Lingua Franca, Benoît Laurent | B Minor | 0 | 10A | 64 BPM | ||
| 3 Hungarian Folksongs from the Csìk, Sz. 35a (Arr. Horsch & Luca for Recorder and Cimbalom) | Lucie Horsch, Dani Luca, Béla Bartók | A Minor | 4 | 8A | 121 BPM | ||
| De lustelijcke Mey is nu in sijnen tijt | Jacob Clemens non Papa, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 140 BPM | ||
| Macbeth, End of Act 4 – the Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 71 BPM | ||
| Welcome to all the Pleasures, Z. 339: I. Overture | Henry Purcell, The Deller Consort, Alfred Deller | E Minor | 1 | 9A | 82 BPM | ||
| Il pastor fido, Sonata No. 5 in C Major (Prev. Attrib. Vivaldi as RV 56): IV. Allegro ma non presto | Nicolas Chédeville, Lucie Horsch, Tom Foster | D♭ Major | 1 | 3B | 122 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Sonata in A Major, No. 6: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 71 BPM | ||
| ファンタジー第10番 | G.P. テレマン, 山岡重治(リコーダー), レ・サンク・サンス | D♭ Minor | 0 | 12A | 70 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | G Major | 1 | 9B | 71 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Concerto for 2 Horns in F Major, RV 539: II. Larghetto | Antonio Vivaldi, Bedřich Tylšar, Zdeněk Tylšar, Capella Istropolitana, František Vajnar | F Major | 0 | 7B | 136 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Canzona per Basso Solo (Arr. J. Vitores) | Girolamo Frescobaldi, José Vitores, Klaus Stoll | G Major | 0 | 9B | 108 BPM | ||
| Violin Sonata in E Minor, Op.5 No. 8: II. Allemanda (Allegro) | Arcangelo Corelli, Enrico Onofri | F Major | 1 | 7B | 128 BPM | ||
| Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Concerto in C Major, RV 444, for Sopranino Recorder, Two Violins, Viola, Basso Continuo: I. Allegro non molto | Antonio Vivaldi, Erik Bosgraaf, Cordevento | C Major | 1 | 8B | 98 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 7: Vivace | Domenico Dragonetti, Ubaldo Fioravanti | B Minor | 0 | 10A | 78 BPM | ||
| Praeambulum Legatura | The Royal Wind Music | A♭ Minor | 0 | 1A | 71 BPM |