- BPM
- 120
- Key
- C Major
- Camelot
- 8B
Presto, JW VII/6 by Leoš Janáček, Mats Rondin, Roland Pöntinen Song Details
"Presto, JW VII/6" by Leoš Janáček, Mats Rondin, Roland Pöntinen had its release date on January 31, 1994. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Presto, JW VII/6's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Ulf Wallin, Mats Rondin, Roland Pöntinen's "Janacek: Chamber and Instrumental Works" album is number 6 out of 37. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Presto, JW VII/6's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Presto, JW VII/6 by Leoš Janáček, Mats Rondin, Roland Pöntinen to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -27.164 dB
- Acousticness
- 99%
- Danceability
- 45%
- Energy
- 3%
- Instrumentalness
- 79%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | |
 | Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | |
 | Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A♭ Minor | 1 | 1A | 76 BPM | |
 | 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | |
 | 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | |
 | Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | |
 | Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | |
 | Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | |
 | 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | |
 | On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | |
 | Abschied, S. 251 | Franz Liszt, Alexei Lubimov | A Minor | 0 | 8A | 77 BPM | |
 | Nocturne No. 6 in F Major, H. 40A | John Field, Benjamin Frith | F Major | 0 | 7B | 100 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Piano Concerto in A Minor, Op. 7: Romanze. Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | |
 | Lied opus 34 no.4, transcription Franz Liszt: Suleika | Felix Mendelssohn, Bertrand Chamayou | E Minor | 1 | 9A | 142 BPM | |
 | By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | |
 | Bach: Adagio (After Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | |
 | Clarinet Sonata in F Minor, Op. 120 No. 1: II. Andante un poco adagio | Johannes Brahms, Andreas Ottensamer, José Gallardo | F Major | 0 | 7B | 173 BPM | |
 | Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | |
 | Schubert: Piano Sonata No. 3 in E Major, D. 459: III. Adagio | Franz Schubert, Elisabeth Leonskaja | E Major | 0 | 12B | 77 BPM | |
 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 86 BPM | |
 | Sonatina in G Major: I. Andantino | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 72 BPM |
- ISRC
- SEAEG9463060
- Label
- L-M Records/RCA Records