Le tombeau de Couperin: 3. Menuet (version for orchestra) by Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン Song Details

"Le tombeau de Couperin: 3. Menuet (version for orchestra)" by Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン had its release date on November 5, 2013. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Ravel: Orchestral Works, Vol. 2". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Le tombeau de Couperin: 3. Menuet (version for orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Le tombeau de Couperin: 3. Menuet (version for orchestra) by Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 28%
Loudness: -23.257 dB
Acousticness: 85%
Danceability: 23%
Energy: 9%
Instrumentalness: 92%
Liveness: 10%
Loudness: 61%
Speechiness: 4%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	101 BPM
Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser)	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	E♭ Major	1	5B	92 BPM
Menuet antique, M. 7 (Version for Orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Minor	0	12A	73 BPM
Fauré: Pavane, Op. 50 (Instrumental Version)	Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Minor	1	11A	70 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio	Anton Arensky, The Rembrandt Trio	G Minor	0	6A	76 BPM
Scheherazade: Sinbad's mighty bird, the Roc	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	3	9B	143 BPM
St. Paul's Suite, Op. 29 No. 2: II. Ostinato	Gustav Holst, English Sinfonia, Howard Griffiths	C Major	1	8B	108 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante	Edvard Grieg, Javier Perianes	E Minor	0	9A	166 BPM
Nocturne No. 1 in E-Flat Major, H. 24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	F Major	3	7B	164 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Grieg: The Last Spring, Op. 34, No. 2	Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	89 BPM
6 Pezzi, P. 44: No. 6. Internmezzo-serenata	Ottorino Respighi, Konstantin Scherbakov	A Major	0	11B	83 BPM
Lyric Pieces, Book I, Op. 12: No. 1, Arietta	Edvard Grieg, Javier Perianes	G Minor	0	6A	65 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
The Tempest: Suite No. 2, Op. 109: VI. Miranda	Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari	C Major	1	8B	70 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto	Wolfgang Amadeus Mozart, Sophie-Mayuko Vetter, Hamburger Symphoniker, Peter Ruzicka	E♭ Major	0	5B	67 BPM
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1)	Franz Liszt, Rudolf Buchbinder	F♯ Major	0	2B	68 BPM
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	A Major	1	11B	79 BPM
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka, Allegretto grazioso	Antonín Dvořák, Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra	E Minor	1	9A	70 BPM
Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM