"Grieg: The Last Spring, Op. 34, No. 2" by Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas had its release date on November 11, 2014. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in San Francisco Symphony, Michael Tilson Thomas's "Masterpieces in Miniature" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Grieg: The Last Spring, Op. 34, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: The Last Spring, Op. 34, No. 2 by Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Symphony No. 3 / Pt. 2: VIa. Langsam. Ruhevoll. Empfunden "What Love Tells Me" - Live | Gustav Mahler, Verbier Festival Orchestra, Michael Tilson Thomas | D♭ Major | 0 | 3B | 73 BPM | ||
| 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo | C Minor | 1 | 5A | 82 BPM | ||
| Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 77 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: II. Andante | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 79 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
| Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM | ||
| Hymnus for 12 Cellos, Op. 57 | Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal | G Major | 1 | 9B | 102 BPM | ||
| Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Orchestral Version) | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM |