Frederic Curzon, New Concert Orchestra's ' "Dance Of An Ostracised Imp" was released on its scheduled release date, July 15, 2012. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The Golden Age of Light Music: Great British Composers - Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Switzerland. The popularity of Dance Of An Ostracised Imp is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dance Of An Ostracised Imp by Frederic Curzon, New Concert Orchestra having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Experiencias Ultrasensoriales | Sirenas Celestiales | B Minor | 1 | 10A | 121 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Samson et Dalila, Op. 47: Mon c?ur s'ouvre à ta voix - Instrumental | Camille Saint-Saëns, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 68 BPM | ||
| Robin Hood Suite: I. In Sherwood | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 2 | 7B | 124 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| Thunder And Lightning Polka | Johann Strauss II, Sidney Torch, Sidney Torch And His Orchestra | G Major | 6 | 9B | 86 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Theatreland | Jack Strachey, New Concert Orchestra, Jay Wilbur, Albert Sandler Palm Court Orchestra, BBC Variety Orchestra, Billy Ternent Orchestra, David Rose Orchestra, Harmonic Orchestra, Louis Levy Music From The Movies, Mayfair Orchestra, The Melachrino Orchestra, Morton Gould Orchestra, New Century Orchestra, Orchestre Raymonde, Queen's Hall Light Orchestra, Robin Hood Dell Orchestra, Stanley Black Orchestra, The Geraldo String Orchestra, The Regent Classic Orchestra, Two Cities Symphony Orchestra | C Major | 5 | 8B | 132 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| In Sherwood | Frederic Curzon | G Major | 1 | 9B | 85 BPM | ||
| Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| Tyrolean Woodcutters' March | Josef Franz Wagner, Budapest Strauss Ensemble, Istvan Bogar | C Major | 3 | 8B | 118 BPM | ||
| Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| Maestro Variations | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | B♭ Major | 1 | 6B | 84 BPM | ||
| Fashion Plate | Frederic Curzon | F♯ Major | 4 | 2B | 69 BPM | ||
| Waldteufel: Les patineurs, Op. 183 | Émile Waldteufel, Willi Boskovsky, Orchestre National de l'Opéra de Monte-Carlo | F Major | 3 | 7B | 180 BPM | ||
| Der Schneemann: Moderato | Erich Wolfgang Korngold, Matthias Bamert, BBC Philharmonic Orchestra, Peter Manning | F Major | 0 | 7B | 130 BPM | ||
| Trooping The Colors: The Screw Guns Tune Of Eton Boating Songs | Frederic Curzon, Royal Artillery Band Andthe Herald Trumpeters | B Minor | 7 | 10A | 67 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM |