Bijli Rani's ' "Hum Kaise Bhulaai" was released on its scheduled release date, April 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Bob Cut Mein by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Hum Kaise Bhulaai is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hum Kaise Bhulaai by Bijli Rani is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| পিঞ্জিরা ছাড়িয়া পাখী | Rakhi Dasi Baul | F Major | 7 | 7B | 91 BPM | ||
| Ma Jor Ko Yaw Mahal | Haroon Bacha | C Minor | 6 | 5A | 90 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Subh Subh Ke Laganma | Poonam Mishra | D♭ Major | 7 | 3B | 114 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Mor Kheti Khaar | Laxman Masturiya, Kavita Vasnik | D Minor | 8 | 7A | 88 BPM | ||
| Shyam to Prem ke bhukhe hai | Mayank Agarwal | F Major | 7 | 7B | 75 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Piya Bhaile Gulari Ke Phool | Babita Kinnar, Golu Raja | A Minor | 8 | 8A | 80 BPM | ||
| Mere Jeevan Ke Rang Mere Sai Ratan | Paras Jain | B♭ Major | 6 | 6B | 137 BPM | ||
| Lale Rang Sadiya Shobhe | Pandit Gaurangi Gauri Ji | F Minor | 8 | 4A | 133 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Bhairav Maar Rahe Kilkari | Sanjay Gulati | D Major | 8 | 10B | 183 BPM | ||
| Naina Har Havay Kajarli | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Kab Abe Te Mor Goan | Mamta Chandrakar | F♯ Minor | 10 | 11A | 150 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Teri Akh te Sipda Ek Moti, Dera Sacha Sauda | Rehmat Records | E Minor | 10 | 9A | 144 BPM | ||
| Hero Jaisan Dulha Udawe Hero Honda | Bijli Rani | D♭ Major | 6 | 3B | 110 BPM | ||
| Ham Nahi Janani Ki Man Me Basake | Babita Kinnar, Golu Raja | D Minor | 7 | 7A | 91 BPM | ||
| Jogi Jalyan Mara Jogi Jalyan | Gagan Jethva | A♭ Major | 5 | 4B | 106 BPM |